Nilthepill, the interconnects really are something that is difficult to recommend. You should have the rest of your system completed, and use them to dial the sound that last nth degree in the direction you would like to take it. I will say that if you can get your hands on a silver power cord, that definitely made a difference. The various copper cods I tried didn't do all that much.
Yes, the JOR/JOE have used KT90/KT88, but you are also able to run EL34, 6CA7, and 6550. I found the midrange sounded the way I described with the EL34. This tube did result in me having to go up two notches on the control to achieve the same volume, and did not produce the same level of bass extension, impact, or quality. Still, the positives definitely outweighed the negative. The KT88 offered a nice balance between what the larger tubes did well, along with improved midrange. The KT90 was a colder sound that left me much less satisfied after hearing the others. I didn't give the KT88s enough of an audition, but it felt like the JJ Blue Glass E34L produced the finest overall sound.
The DA30 was about $2300 more when I bought my JOR ($5800 vs $3500). The difference has possibly changed along with the exchange rate. I have read the prices on the DA60 and new DA88 are now significantly higher than when I was looking for them (about $8500, now $11K), due to the exchange rate.
I think the active preamp section of the DA30 is a big part of why the sound is so different between it and my old JOR. The 3 12AU7 tubes really have a big influence on the sonics. So far, I have tried Ei, National, and Mullard Blackburn, with the Mullards being clearly the best. Though for new production tubes and at extremely low cost, the Ei are most highly recommended. Again, the sonics of the JOR and DA30 amps that I have owned could not be more different in my two systems. Perhaps the current products are more similar? I do know that my DA30 is a VERRRRRRRRY early version, and the design has since changed in the direction of increased thermal stability, etc. (supposedly at the expense of sonics, but I cannot confirm that as I don't have a new one here for comparison). High end in general has clearly moved from the lush to the lean sound in the past decade plus, and maybe Jadis has this trend as well? If so, then maybe the DA30 and JOR of today are more close than I have seen.
I think at this point, we need to turn things around, and ask you what your likes and dislikes are in terms of sonics, music, and the room size, etc. In all honesty, I am thinking that the DA30 is possibly not the amp for you. Again, my DA30 runs out of steam before my JOR ever did. However, depending on things such as your tastes and ability to drive those Dunlavys, perhaps the JOR, DA60, or DA88 would fit the bill. And, I do recommend the JOR over the JOE, as I really enjoyed having the tone controls, despite their being taboo in audiophilia.
And, definitely follow the advice of Russ (Rcprince). Not only is he a wonderful person and friend, there are few who know more about Jadis.
GOOD LUCK!
Yes, the JOR/JOE have used KT90/KT88, but you are also able to run EL34, 6CA7, and 6550. I found the midrange sounded the way I described with the EL34. This tube did result in me having to go up two notches on the control to achieve the same volume, and did not produce the same level of bass extension, impact, or quality. Still, the positives definitely outweighed the negative. The KT88 offered a nice balance between what the larger tubes did well, along with improved midrange. The KT90 was a colder sound that left me much less satisfied after hearing the others. I didn't give the KT88s enough of an audition, but it felt like the JJ Blue Glass E34L produced the finest overall sound.
The DA30 was about $2300 more when I bought my JOR ($5800 vs $3500). The difference has possibly changed along with the exchange rate. I have read the prices on the DA60 and new DA88 are now significantly higher than when I was looking for them (about $8500, now $11K), due to the exchange rate.
I think the active preamp section of the DA30 is a big part of why the sound is so different between it and my old JOR. The 3 12AU7 tubes really have a big influence on the sonics. So far, I have tried Ei, National, and Mullard Blackburn, with the Mullards being clearly the best. Though for new production tubes and at extremely low cost, the Ei are most highly recommended. Again, the sonics of the JOR and DA30 amps that I have owned could not be more different in my two systems. Perhaps the current products are more similar? I do know that my DA30 is a VERRRRRRRRY early version, and the design has since changed in the direction of increased thermal stability, etc. (supposedly at the expense of sonics, but I cannot confirm that as I don't have a new one here for comparison). High end in general has clearly moved from the lush to the lean sound in the past decade plus, and maybe Jadis has this trend as well? If so, then maybe the DA30 and JOR of today are more close than I have seen.
I think at this point, we need to turn things around, and ask you what your likes and dislikes are in terms of sonics, music, and the room size, etc. In all honesty, I am thinking that the DA30 is possibly not the amp for you. Again, my DA30 runs out of steam before my JOR ever did. However, depending on things such as your tastes and ability to drive those Dunlavys, perhaps the JOR, DA60, or DA88 would fit the bill. And, I do recommend the JOR over the JOE, as I really enjoyed having the tone controls, despite their being taboo in audiophilia.
And, definitely follow the advice of Russ (Rcprince). Not only is he a wonderful person and friend, there are few who know more about Jadis.
GOOD LUCK!