classe cam 350's.... finess with incredible current.... steal at the price imo....( i might be a bit biased since i own a pair)...
btw, muse monos are pretty good too...
btw, muse monos are pretty good too...
Hall of Fame: BIGGEST BADDEST Monster Amps
Cwlondon, perhaps not. But I think often gear that does not have a certain name is usually deemed unworthy by audiophiles. However, one thing that occurs to me is that reproducing "live" sound in the home is sometimes referred to as a goal. The point is that pretty much any live sound that is amplified is almost certainly amplified by pro audio amps such as Crown; not Levinson, Krell, or Halcro, et al. |
Whoaru99 You make a reasonable point, but this brings to mind one of the creators of the "high end" industry, Harry Pearson aka HP of the Absolute Sound. When that magazine had more integrity than it has today, the "absolute sound" was the benchmark for our "goal". And it was defined not simply as live, but as the sound of live UNAMPLIFIED music in open space. An update on this thought could easily create a thread of its own, but philosophically, the high end goal has never really prioritized the recreation of the live sound that you might get from stacks of Crown amps, for example. You might also find it interesting to know that some live, amplified bands, who were well known for masterful production and great sound, actually did use audiophile brands. Weather Report apparently used stacks of Levinson amps and put on an amazing show, although that was just slightly before my time so others might have more detail. |
Here's one more for you....Audire Otez. A very over looked hand built monster amplifier with 16 pairs of bipolars per channel. Weighing in at 85lbs and pumping 800 wpc into 2 ohms.The company has been around for over 30 years. I've seen these units go for as little as $1200..which is an absolute steal!!! One of the best kept secrets in quality and extreme power.The b&w pictures on the site don't do these amplifiers justice. |