Tube or SS for Vocals/Strings


I am wondering if I should pair a tube amp with my arro's if most of my listening is classical? I also like opera, baroque, romantic, etc. I am a cellist and so I listen to a lot of strings but I also like vocals. Yann Tiersen is my favorite artist/composer and so I want something that boosts all the arros' strengths and is completely musically involving. ideas?
baroque_lover
Nope, not offended at all, but thanks for your concern.

I'll take your supposition a bit further: you can view any and all reproduction of an accoustic performance in a specific space as "distortion", from the very moment the sound travels away from the source. It will never be a "true" reproduction of the performance no matter what system/listening room combination you prefer. It is all relative. I took no offense at your using the word "distortion". I simply think defining the different forms of amplification by what type of distortion they are more prone towards, is, for the most part, well, silly! It's all distortion...why do you need to make that the operative distinguishing factor? As I said, I'd agree with your suggestion for anyone seeking out system components that suits them for their specific preferences make their own decisions using their own ears (they can't borrow mine anyway), in their own listening space. Obviously I see nothing silly about someone asking advice from others who may have similar tastes as you, and have had experience over many years with the subject they are asking advice on. So my question to you would be the same as the question that arose when I read your first post: what point, exactly, are you trying to make? Yep, there are a whole bunch of people who like the sound of tubes, and a whole bunch who get a hard-on over vinyl? Soooooooooooo? There's also a vastly larger majority of folks who buy their sound reproducing gear at Circuit City and Best Buy and couldn't care one wit about any of this. I presume that none of that has anything at all to do with the reason for Baroque_lover to ask their question in this particular forum. You seem to be warning them off tubes and now vinyl like they were in jeapordy of getting some disease from giving them a try. I've seen no such predispositions towards tubes here. Instead I've observed many folks in both camps, and those in between. I've observed lots of large egos that seem to be attached to personal choices, as well as those with no attachments. I've occasionally observed what's occured to me as really bad advice, as well as repeated sage advice from some members. I'll give those posting and reading here the benefit of the doubt that they can sort it all out for themselves and draw their own conclusions. It seems to me you are suggesting that every post should run with a bold disclaimer reading something like: "The following post contains some views which are only one person's opinion on the subject and should not necessarily be held as ultimate truth in the matter at hand..." I think most folks can figure that one out.

Marco
Marco,

That was a very well thought-out and well written response that I think really gets to the core of what Audiogon is all about. We all love this hobby or we wouldn't be here discussing such things. Audiogon is a great place for like minded people to offer opinions and share their experiences and that's what it's all about. Thanks for taking the time to be a part of it, as it's a better place for that.

Mike
Well, it's raining in Seattle (go figure), and I have a ton of computer time to spend on some work-related projects which involves a whole lot of waiting, so my gain is your loss! Thanks for the kind words!

One more thought on the subject; I'd be willing to wager my left testicle that the majority of folks posting to, and reading, these forums couldn't tell even-ordered harmonic distortion if it came up an bit them on the ass. I also believe that understanding and being able to differentiate between different modes of harmonic distortion has absolutely nothing whatsoever to do with the ability to enjoy musical reproduction through a stereo system. You either like the way it does the job, or you do not. The system either involves you/brings you closer to the music, or it is easy to walk awy from. Because you can tell us all precisely why, in a vocabulary that is largely exclusive to recording engineers, acoustic designers, and some musicians, lends absolutely nothing to the enjoyment or involvement in the music. I'd venture to say that, for many folks it would actually take them away from the music to start to distinguish such components and identify them in the proper terms. That is really what it comes down to as far as what bugged me about using the distortion angle to distinguish types of amplification. Also, I don't get why take the time to post an answer to a question that basically reads; You've asked a silly question and got some silly answers, now go out and figure it out for yourself. Some like vanilla and others like chocolate, that's a given...no need to point it out really.

Oh, and I love you too Stan! You light up my life...and give me hope to carry on!

xoxoxoxo's

Marco