"Laid back and detailed" does seem superficially contradictory but well describes the sound I get from my 3A Sigs driven by Rogue M-150's in a well-treated listening room. All the detail is there but is placed naturally in the soundstage which is not thrust forward but instead pulls you into the music. It is not a gimmicky or splashy presentation; it invites contemplative, concentrated listening and is particlarly realistic for opera (my favorite) and operatic venues. I use a separate Blue Circle Music Ring 1200 for each amp which has improved the sense of precision and rhythmic accuracy of the sound. Finally, the addition of a REL Stadium III rolling off at 23hz has further enhanced the presentation, particularly on live recordings. I had previously used a Levinson 27 (admittedly not the latest and the greatest ss, but not shabby) with the 3A Sigs and I could not capture the emotion within the notes to the extent I do now -- that seems to be the gift of tubes.
Amps for Vandersteen 3A Signature SS or Tube?
Any Vandy owners care to comment about the combination with one of the following or make any other recommendations?
SS
1. Levinson (33x or 43x)
2. Rowland (new or old monos)
3. Nuforce (Reference 9)
5. Ayre (V5x)
6. Belles (350A Reference)
Tube
1. Conrad Johnson (Premier 12 monos)
2. Antique Sound Labs (DT 1009)
3. Jadis (Defy 7)
SS
1. Levinson (33x or 43x)
2. Rowland (new or old monos)
3. Nuforce (Reference 9)
5. Ayre (V5x)
6. Belles (350A Reference)
Tube
1. Conrad Johnson (Premier 12 monos)
2. Antique Sound Labs (DT 1009)
3. Jadis (Defy 7)
- ...
- 18 posts total
- 18 posts total