"Over time I have to agree with Sherod, the newer version is weaker in "breath of life". Combined, all these differences make for a very different sounding preamp.
Perhaps burn in will ultimately bring this attribute to the music."
Bill, I heard this "breath of life" phrase in an older review from back in about 1978 of a pair of speakers that were time and phase aligned. Ever since then, I've kept this phrase in my mind as to me it encompasses a lot of things. Actually, that elusive "breath of life" is more important to me than any of the other attributes you mentioned, yet when a component expresses that "breath of life" the other attributes should be there as well, but not always. In a nutshell, "breath of life" means real and palpable to me. If I'm listening to a good piano recording, I expect it to give me a "live" presentation, not a reasonable facsimile of one, no matter how clean and big it sounds on that stage. So far, with my upgraded preamp, the presentation of the soundstage is larger than life, and the sound is all coming from a two-dimensional plane. For example, when I listen to an orchestra that has been well recorded, I want to hear the trumpets coming from the back row, the flutes and clarinets on the front, the percussionists even further back. To me, at this point, the orchestra seems to be all sitting together on the front row. This is difficult to explain, for me.
Perhaps burn in will ultimately bring this attribute to the music."
Bill, I heard this "breath of life" phrase in an older review from back in about 1978 of a pair of speakers that were time and phase aligned. Ever since then, I've kept this phrase in my mind as to me it encompasses a lot of things. Actually, that elusive "breath of life" is more important to me than any of the other attributes you mentioned, yet when a component expresses that "breath of life" the other attributes should be there as well, but not always. In a nutshell, "breath of life" means real and palpable to me. If I'm listening to a good piano recording, I expect it to give me a "live" presentation, not a reasonable facsimile of one, no matter how clean and big it sounds on that stage. So far, with my upgraded preamp, the presentation of the soundstage is larger than life, and the sound is all coming from a two-dimensional plane. For example, when I listen to an orchestra that has been well recorded, I want to hear the trumpets coming from the back row, the flutes and clarinets on the front, the percussionists even further back. To me, at this point, the orchestra seems to be all sitting together on the front row. This is difficult to explain, for me.