Thanks for your comments - well said, I feel in most cases. I'm a big Sim fan, and as I mentioned, I used to sell the product a while ago, alongside Classe, which is why I know their philosophies so well. Things can change over time, as it has shown to be with Classe, for example.
On the issue of how live music sounds, it sounds...live. If you are listening through a guitar amp, you are not listening, technically, directly to the live performance. While it is true that a few instruments can have a sonic signature of their own, in particular the guitar in question and yes, the "reverb" or harmonic richness of a Boesendorfer piano, this merely makes the reference point. Meaning it sounds lifelike. If a particular piece of equipment or system makes it sound more lush or rich, it is adding euphonic coloration, as pleasant as it may be. It is nonetheless coloration.
My approach (and I say mine because it is borne of my observations and thus the opinion concluded thereafter) is that high fidelity means approaching the possibly irreproachable - a perfect reproduction of a live performance. However, it is this persuit that is what hi-fi should be all about, not how "sweet" it sounds, or how "round" or "fat" or "warm". When I listen to Rush, for example, those synthesizers and guitars can sound downright screachy, sometimes because the recording is not great (as is usually the case with Rush, unfortunately), other times because that's what the musician intended. When Neil Peart slams the snare, or hits the high-hats, the brashy sound of the cymbals is really brashy. I don't want to hear it homogenized and sweetened. That is not hi-fi, even it makes this recording more pleasant...it is not reproducing what is on the disc. I want to hear it as it was recorded. I feel that is the true mark of high fidelity, the persuit of perfect sound reproduction. Eliminate the equipment from the equation if its perfect, and concentrate on other factors - speakers, cables, recordings and room acoustics. Any deviation from this puts our persuit of technological advancement in this field into an alternate goal, one that is not defined, out of focus and deviated from reality.
So, that's why I like Sim gear. It may or may not be your cup of tea, and I'm certainly not the one to tell you which to buy. However, I believe my comments are both logical, and probably eye-opening for many. I agree about Audiogon, it is a great source of information and information exchange, as we are doing now. But at the same time, you can probably see how it does hurt many manufacturers who try to market their products to you through the many fine brick and mortar dealers out there, which are quickly diminishing in number, or changing their ways of doing business mainly (not entirely, but mostly) because of audiogon's ability to market products at greatly reduced prices...this is in part good, but also bad because we lose the (I feel) valuable asset of a good dealer with listening facilities and a cheerful smile. I'm lucky in that when I worked in audio retail it was before this website existed (also ebay, and several others etc....) so the retail end was actually better.
On the issue of how live music sounds, it sounds...live. If you are listening through a guitar amp, you are not listening, technically, directly to the live performance. While it is true that a few instruments can have a sonic signature of their own, in particular the guitar in question and yes, the "reverb" or harmonic richness of a Boesendorfer piano, this merely makes the reference point. Meaning it sounds lifelike. If a particular piece of equipment or system makes it sound more lush or rich, it is adding euphonic coloration, as pleasant as it may be. It is nonetheless coloration.
My approach (and I say mine because it is borne of my observations and thus the opinion concluded thereafter) is that high fidelity means approaching the possibly irreproachable - a perfect reproduction of a live performance. However, it is this persuit that is what hi-fi should be all about, not how "sweet" it sounds, or how "round" or "fat" or "warm". When I listen to Rush, for example, those synthesizers and guitars can sound downright screachy, sometimes because the recording is not great (as is usually the case with Rush, unfortunately), other times because that's what the musician intended. When Neil Peart slams the snare, or hits the high-hats, the brashy sound of the cymbals is really brashy. I don't want to hear it homogenized and sweetened. That is not hi-fi, even it makes this recording more pleasant...it is not reproducing what is on the disc. I want to hear it as it was recorded. I feel that is the true mark of high fidelity, the persuit of perfect sound reproduction. Eliminate the equipment from the equation if its perfect, and concentrate on other factors - speakers, cables, recordings and room acoustics. Any deviation from this puts our persuit of technological advancement in this field into an alternate goal, one that is not defined, out of focus and deviated from reality.
So, that's why I like Sim gear. It may or may not be your cup of tea, and I'm certainly not the one to tell you which to buy. However, I believe my comments are both logical, and probably eye-opening for many. I agree about Audiogon, it is a great source of information and information exchange, as we are doing now. But at the same time, you can probably see how it does hurt many manufacturers who try to market their products to you through the many fine brick and mortar dealers out there, which are quickly diminishing in number, or changing their ways of doing business mainly (not entirely, but mostly) because of audiogon's ability to market products at greatly reduced prices...this is in part good, but also bad because we lose the (I feel) valuable asset of a good dealer with listening facilities and a cheerful smile. I'm lucky in that when I worked in audio retail it was before this website existed (also ebay, and several others etc....) so the retail end was actually better.