ARC LS1, LS2, LS3 , or LS7, which to buy?

I have great respect for Guido on this site, but my experience with the LS2 was opposite to his comments here. It's going to take a lot more than a special tube from Jupiter to bring the LS2 into greatness....or even musical enjoyment for me. When I heard the LS3, it did not fare any better.

Once ARC started its trend into the analytical zone with the introduction of the SP-11, it only got progressively worse with the SP-15, LS1, then LS2 and LS3. Only with the introduction of the LS5 did that magical ARC sound of the SP-10 and before return.

Interestingly enough, the LS7 has a little bit of this classic ARC sound but with more of a budget-based system in mind. This would easily get my vote. And perhaps with some DIY efforts to upgrade to the latest Dynamicaps, which are $10-20 each, you might take this unit to a most exciting level.

Forget about the 'B' suffixes on older balanced ARC line stages. The LS5 was the first unit to be truly balanced. The LS2B and LS3B had XLR connections but these units went through additional circuit stages to do the conversions to/from balanced. I never understood the benefits of this as such extra stages can only be a detriment to the signal.

John

Marty - If you're considering a unit with a phono stage, that changes many things. I understand your concern over the older units, but the LS2/LS3/LS7 are all 10+ years old so these do not guarantee much over the units from the 80s.

It comes down to the kind of sound you seek. If you like the rich and full tube sound that ARC was so famous for back in the 80s, the SP-8 or SP-6 would be my choice. But these will only handle MM cartridges. The SP-9 I believe handles higher output (1mv+) MC's which alone could be a deciding factor. And the SP-9 moves away from the olden days tube sound. The SP-9 is more tonally coherent whereas the SP-8 favors the middle 6-7 octaves.

Of all these models, I would jump on an SP-8. But like the SP-10, this has become somewhat of a collector's item; they are not seen often. And when they are available, they are in the $800-1000 range. This would be another unit where changing a handful of passive components could take this to another level of performance. After what I have heard dynamicap updates do to newer models, these could help to resolve the SP-8's frequency extreme weaknesses and not affect its awesome portrayal of space. None of the other ARC units here compete with the SP-8 in this regard.

If you are considering units with a phono stage, I would also look into the CJ PV5 and PV7 as well as the solid state CJ Motif MC8 and more expensive MC7 models. Interesting that one of each of these is for sale now. Quite amazing how the MC7 has maintained its value....but it was a very highly regarded piece.

One other unit that gets a lot of praise is the Audible Illusions Modulus 3 but I found this not to be competitive to the others here in terms of dimensionality. And it did poorly at the frequency extremes so I never knew the attraction here. It always comes down to what reference point we have and for me it was the SP-10 for 8 years and the LS5 for another 7 years.

It is quite amazing the value of some of these older models. Some may be 10-20 years old, but with a small investment in a handful of updated parts, they can be transformed. I have become a huge fan of modifying gear rather than constantly chasing the new piece.

One thing you can consider is to try and get a good deal on one or maybe two models here. Do a shootout and keep the one that locks in for you and sell the other for what you paid for it. It can be a pain, but this is a strategy that has worked for me many times.

John

I had a LS2B and my LS5B MKIII was much better in every way. Now it has been modded by GNSC and is even better.

Suggestion: I may be crazy, but am a convert to Walker Extreme SST on the tube pins, XLRS and PCs.

Bob Wood
http://www.greathometheater.com