Anyone else evolve beyond tubes?


Over many years of owning both solid state and tube amps/pre-amps, my most recent high end system makes me question the need for tubes at all, except at the source! My Mcintosh C46 pre and MC501's driven by an MF A5 CD player into Dyn" C4's with MIT Magnum cabling produces music of great beauty and dynamic swing. I even demo'd some of the newer tube gear available for comparison...not even close. I think modern, well designed solid state gear is superior overall...at least with a tube output stage in your source!
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I now use a combination of both ss & tubes, a tube preamp & solid state power amp although just recently picked up a tube power amp, specifically the Nobis Cantabile which has a Fet front end based on the classic Marantz 8B driving four EL34s in ultralinear mode , what a great find for the price. I am very impressed with this tube power amp and have had some very enjoyable listening sessions with it so far. If I have evolved at all it seems I have gone back and forth between tubes and solid state each offering their own unique qualities and even mixing the two together. There is no right or wrong answer to this dilema but what works for yourself.

Not too far back there was an article in Stereophile magazine in which the reviewer stated he could not understand the resurgence of interest in tube gear when you take into account how good todays solid state sounds.

After reading Corey Greenberg's review (1992) from Stereophile magazine on the Nobis Cantabile amp, I think a quote from it may be worth repeating here as it gives another point of view of tube versus solid state:

"I dig tube amps. When all's said and done, good tube amps seem to sound more like real life than most solid-state gear, even after listening to & enjoying the hell out of musical solid state designs like the ARC D-240II and the Muse model One hundred, once I hooked up the big VTL Deluxe 225s again it's just like going home. I could go on about timbral accuracy and cleaner midrange textures but the bottom line is, music just sounds better when you shoot it through good tubes, and once most people experience that magic, they're hooked".

I just given two point of views and you can do whatever turns you on. But I will keep both ss & tube on hand because variety is the spice of life. There are no set rules and if there were, they are meant to be broken.
Geuss what...I sold my Mcintosh stuff and bought....drumroll...Krell...I had it before but forgot just how superior there stuff is compared to anything else!!
I've just switch from a CJ MF2500A to a Cary six pacs. With the six pacs, music just flows and has a fluidity that was not there with the MF2500A. Keep in mind that the 2500 is known for its tube like and has received lots of praise. On the other hand, the 2500 bass just kicks a** any tube amps out there and overall has better transience and attack. So the question is which is more important to you?

Also, regardless of what SS amp I have listened to, there is always this "electronic haze" that is not there in a tube amp.
A tube pre with a ss power amp is, to my ears, the best combination. The pre-tubes are resonable in price, the ss delivers the clean highs and the tight lows. I believe this to be especially true with CD(vs. vinyl).
Funny..I just demo'd the ARC ref 3 vs the Krell Evo 202 driving the Evo 402 into dynaudio C4's...the tube haze and overall distortion of the signal sold me on Krell...Krell is not like any bother solid state gear..it is music!! I do like my MF A5 tube output CD player so far..it has no tube problems or haze at all!!