Updated yet again:
1980 - Akai something-or-other
1984 - Naim Nait (the first version)
1985 - Musical Fidelity A1
1986 - Cyrus II/PSX
1994 - SimAudio 4070
2003 - Sugden Au51P
2003 - KR18 BSI
2003 - Coincident MP300B
2003 - Wavelength Triton Blue
2004 - deHavilland Aries 845G
2004 - Canary CA-339
2005 - Audion Silver Night PX25
2005 - Tom Evans Audio Design Linear A
With the Linear A I may be done for a while. Mated to sensitive speakers it's the answer to a SET-lover's dreams - all the SET liquidity, harmonic richness and natural midrange coupled with a level of microdynamics, extension, imaging, resolution, transparency, palpability, air and impact that is unequalled in my experience. Not bad for a 25 wpc amp that uses 4 EL84s per side, driven by op-amps. Within its power envelope it's hard to imagine better performance.
1980 - Akai something-or-other
1984 - Naim Nait (the first version)
1985 - Musical Fidelity A1
1986 - Cyrus II/PSX
1994 - SimAudio 4070
2003 - Sugden Au51P
2003 - KR18 BSI
2003 - Coincident MP300B
2003 - Wavelength Triton Blue
2004 - deHavilland Aries 845G
2004 - Canary CA-339
2005 - Audion Silver Night PX25
2005 - Tom Evans Audio Design Linear A
With the Linear A I may be done for a while. Mated to sensitive speakers it's the answer to a SET-lover's dreams - all the SET liquidity, harmonic richness and natural midrange coupled with a level of microdynamics, extension, imaging, resolution, transparency, palpability, air and impact that is unequalled in my experience. Not bad for a 25 wpc amp that uses 4 EL84s per side, driven by op-amps. Within its power envelope it's hard to imagine better performance.