Break in period


I have just acquired the Conrad Johnson CT5 preamp and CJ LP70S power amp. Would appreciate inputs /advice of fellow a'goners regd optimal break in period and is the break in period dependent on playback volume or amount of
gain. The reason I ask is coz a Stereophile review of the CT5(July 2006 ?)mentioned that the preamp was left in continous play mode for a week, that translates to 150 hrs.Given that i listen max 2hrs/day and more on weekends, that translates to a break in period of nearly 2 1/2 months !!
Have huge issues leaving the system running 24/7 coz of erratic power supply and neighbour's privacy etc
Would appreciate any/all advice
Cheers
128x128sunnyboy1956
Atmasphere,

'low voltage applications' - do you mean like phono signals

Actually I meant in general run-of-the-mill electronic industry applications, as transistors are not very reliable for high voltage applications where for example krytrons might be used (although transistors have got better at high voltage over the years).

I know you don't like negative feedback but I am sure you will at least agree that feedback is the electronics industry "cheap and easy" solution to achieve better linearity with high speed transistors. A high quality tube (much more linear than a transistor)with less negative feedback and more carefully selected components is another alternative approach, which works too (some say better for audiophile applications).

I didn't mean to trigger a debate of tubes vs SS (apologies if it sounded that way) all I really tried to show was that engineers favor configurations that produce consistent results (i.e. minimize response drift whatever the cause). IMHO, significant break-in response changes over long periods are not desirable and that good power supply and component designs should minimze these issues, in many instances to the point of inaudibilty under a variety of conditions.
Drubin,

What I was trying to say was that designers will try to minimize the effects of individual resistor, transformer, capacitor & inductor drift due to age and thermal effects. Where a component is critical then a designer may choose to use a higher quality capacitor for, for example. Balanced circuits are an example of this approach. Feedback loops are also used to minimize drift.
Drubin notes
the system was on, playing in the background. At one point during the evening, I began to notice extraordinary detail and elegance from the system. My brother noticed it as well. The amp sounded great!
Well, yes. The circuit will stabilise under normal operating conditions, as you yourself noted earlier
it's that individual circuit components (resistors, capacitors, wire perhaps) undergo some change during the initial hours of their use
However, you go on to note
This may not show in measurements but I think most of us agree that measurements alone do not the whole story tell
Not the whole story -- but some of it. Measuring the complete circuit during operation (DON'T really do this, for goodness sake :)-- I mention this only in discussion context) you may discover things... One easy component to track down is a phono equaliser. The components' tolerances can affect the de-emphasis; many of the ("good")resistors used are +/- 5% i.e. 10% total rated shift...
I am not sure what Krytrons have to do with the price of wheat in Alaska, or with audiophile-grade audio or even Radio Shack-grade audio electronics, for all it matters. Krytrons, made by EG&G or Perkin Elmer are high precision / high voltage switching tube-devices best known for their use in parallel honeycomb configurations when firing the chemical detonators that implode Plutonium 239 triggers of fission/fusion or fission/fusion/fission warheads. And trivially speaking, it is perfectly true that Krytrons are expected to fire precisely on spec the very first time they are activated. . . which is often their last time as well. . . no break-in planned, or allowed. So what? There seems to be a logical fallacy here somewhere. . . It is being contended that if for all electronic circuits, there exist at least one electronic circuit which can be built to fire completely on spec within 1 picosecond on first activation, then the same property must be inherently extensible to all electronic circuits. This is sheer nonsense. What we are discussing is whether for all electronic devices, there exists a subset of such electronic devices, digital, solid state, or vacuum tubed, which a significant portion of this audience extensionally deem to be high end audio gear, which tend to exhibit inherent and audible break-in patterns no matter how 'well' they have been designed/constructed/tested.
Guidocorona,

A kryton is an example of a high voltage application of a tube that is all; an application where a tube is a more reliable device than a transistor. I was trying to qualify the meaning of my previous comment of "low voltage applications" where transistors are often the cheap and preferred choice for designers.

Sorry if I offended you. Perhaps you missed the thread, which might explain the side track comments. I fully agree krytons are not related directly to audio applications. Although I suspect you will admit that reliabilty and response drift over time/heat/use is of concern in many electronics applications and not just audio. An undesirable response drift being analagous to extremly lengthy audible break-in time.