Personal amp evolution

NAD 4125
Densen Beat
CJ MV52
VAC Avatar
Cary Sixpacs
Quicksilver (6C33C) Triodes

I started with a hafler dh500,forte model 6, vtl 225 mono's;mccormack dna-1 monos and now cary slam 100's I also have a pair of odyssey mono extreme se's still in boxes.

crown 300
byston 2b
conrad johnson 75a
electron kinetics eagle 400
balanced audio technology vk200
clayton s40
reference line preeminence one
reference line preeminence one reference
vaic 300b
mcintosh mc40 (stock w/ mullard el37's)
dynaco 70 (stock w/ mullard el34's)
mcintosh mc30 (stock w/ mullard el37's)
hadley 601 (stock w/ philips el34's)

Over the course of many years, from the mid '80s to the present:
Akai Receiver
Nakamichi Stasis Receiver (still have it!)
Van Alstine Omega III 440HC
Electrocompaniet ECI-4 SE Integrated Amp
Spectron Musician II
Parasound Halo JC-1
ASL Hurricane 200DT
Berning ZH270
Joule Electra VZN-100
Plinius SA-102
Ayre V-5X
BAT VK-600 w/BP
McCormack DNA-500
Conrad Johnson Premiere 350SA
BAT VK-500 w/BP (best of previous 5 SS amps)
Dodd 120 tube monoblocks (still have them, best EL34-based amps I've heard/owned, but available for sale)
VAC Musicblock 160s
Art Audio Quartets (oh yeah, 845 tubes, 50wpc Class A, zero feedback..mmmmmmmmm,mmmmmmmmmm, good!)

-Harman Kardon Citation 24
-Adcom GFA 555 II
-Muse Model 100
-NAD 314
-Dynaco ST 70
-Bell Stereophonic Tube Integrated
-Parasound HCA 800 MK II
-NAD C272
-McCormack DNA 0.5
-McCormack DNA 225
-McCormack DNA 0.5 Deluxe / Smc Rev B
-Aragon 8002
-Audio Research 100.2
-NAD M3
-Audio Research VT100MKII
-Pass Labs X250.5