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Class-D amps - a different re view

Martin Colloms, the editor of HiFi Critic (ad-free mag from the UK) have recently published the review of several different Class-D amps, together with an in depth technical analysys and measurments.

His conclusions were not favourable, to say at least:

"I regret that not a single model merits unqualified recommendation. Price is not the issue; the poor listening tests speak for themselves. (...)
At present we have to take the prudent view that good sound might be possible from switching amps, but we haven't heard it yet."

BelCanto REF1000 (ICEpower) - score 10.5 pooints
"The ICE power module used has a dependable reputation, and the design is well built and finished as a whole. While I would not suggest that you shouldn't try this amp, on sound quality grounds alone I cannot recommend it for audiophile use."

Channel Islands D100 (UcD) - score 13 pooints
"While I have reservations about a number of aspects of sound quality, and advise personal audition, given the solid lab results (...) the overall performance and the moderate price, these CA Audio monos do make it to the 'worth considering' cathegory."

NuForce 8.5V2 (proprietary technology) - score 9 pooints
"Yes, the price is good for the power output. Yes it's pretty, light, small and runs cool. However, the sound quality simply does not justify recommendation." (on top of that the NuForce amp measured very poorly - Elb)

Pro-Ject Amp Box (Flying Mole) - score 5 points
"I'm sorry to say that Project (...) was a real disappointment in the listening tests, and can't be recommended."

Just as a point of reference, recently reviewed Krell 700CX scored 100 points, CJ Premier 350 - 110 points and ARC Ref 110 - 135 points.

At least someone have had the balls to say it. This is why HiFi Critic is THE mag to subscribe.
128x128elberoth2
dcstep
1,518 posts
 
Hi there Guidocorona. Soundings is where I first heard the JRDG monos about three years ago, driving the Strauss. Being in the midst of moving from Dallas to Denver, I set my mind on the Strauss in a large basement music room. The soft real estate market has kept me from leaping into a house and three years later I'm still in a nice high-rise apartment in DTC.

This summer I finally decided to reconsider my speaker choice a chose something that would work in my 2100 sq ft apartment and took the plunge with the Beethovan Baby Grands. (I'm entirely happy with that choice).

Anyway, the second time I heard the JRDG equipment/Vienna Acoustics combination was at the 2006 RMAF. After a day of bleeding ears, hearing horrible set up after horrible set up, I stopped by the Soundings/Sumiko room where Rod and his boys had the Rowland/VA setup. Oh what a relief to the ears. Those guys know how to set up a room. They start with good equipment and really get the most out of it. I'm sure that lots of the other exhibtors had very fine equipment, but most of it was unlistenable to me, most likely due to poor setup.

I've about got the Beethovan's broken in and my new Pro-ject RM10/Blackbird TT/cartridge setup. Late this month I plan to have Rod over to optimize my speaker placement. After that in December or January, bonus dependent, I'll be doing the JRDG/Conrad-Johnson/Bryston comparo. It might be easiest to do a JRDG/CJ comparo in-store and then bring the winner home to compare to old faithful Bryston. (Evidence is showing the Bryston pretty darn good; however, I found the Pro-ject Tube Box superior to the Bryston's onboard phono stage, though it didn't blow it in the weeds).

See you around maybe.

Dave
deshapiro
177 posts
 
Hi All,
I'm in the midst of a home evaluation of a Spectron Musician Signature 3 with MBL 101e's. The preamp is an MBL 6010D. My current amp is a Boulder 2060, and the reason I'm looking for a new one is that I changed to a computer-based USB DAC by Wavelength Audio. When I changed, something went missing. That thing was bass dynamics. Not bloated , flabby bass, but the clean punchy, articulated bass that provides, for me, the foundation for the music. Bear in mind that this eval is in my system,in my room, using my ears, blah, blah, blah.
The amp is, in a word, spectaular. The images which were kind of thin, have become fleshed out and solid. The drums kick you in the chest. Vocals are to die for. The only thing holding me back is further evaluation of the delicate, nuanced highs that you only hear with a deep black background. I'm still going through my recordings for pieces that highlight those moments. I'm pretty much sold. For $6500, it is a no-brainer. Spectron says that they have many people using them with MBL's, in stereo, not mono config. I have the amp for 3 more days.

David
muralman1
1,527 posts
 
Welcome to the club, David. I knew it was just a matter of time.
guidocorona
4,298 posts
 
"After a day of bleeding ears, . . ."

Dstep, have you and I perhaps purchased our ears from the same supplier of auricular equipment? My general experience is same as yours. . . lots of ear bleeders at RMAF; but each time I returned to the JRDG/Vienna/Primare Soundings room for one more hour of music, I felt I had 'come back home'!
guidocorona
4,298 posts
 
Hi Deshapiro, very interesting, please tell us more once your eval is complete. In particular Spectron/Boulder comparative findings about extension/delicacy of treble, bass extension/tunefulness and control, overall harmonic development and decay across the range, low level microdynamics. staging, hall ambiance, headroom.
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