"...no warmer, cooler, lighter, darker, or sweeter than the music it transmitted." Atma-Sphere amps and preamps are by far the most neutrally transparent electronics I've heard in my system.
Albeit an 87dB sensitivity, specs on the Opera Callas monitors show an 8-Ohm nominal impedance. I'd give the Atma-Sphere M60s a try.
With regard to Audio Research ... historically I've never thought of ARC gear as quite as neutral as Neil suggests. For a long time they were the yang to CJ's yin. Their turn-of-the-century sound leaned toward a somewhat 'aluminized' flavor. *However* (imo) the latest batch of ARC Reference gear (Ref 3, 210, 610) along with their PH7 phono stage demonstrates vastly improved tonality, as near to neutral as I've heard from ARC. If anything, it is now reveals the barest hint of warmth - not entirely a bad thing.
I think of 'tonal neutrality' as relative - as Mrtennis suggests - you can hear differences in coloration between two pieces of gear, just as you can hear a difference in coloration between two concert halls. Its rare for two different amps to sound the same. 'Tonal transparency', if you will, can be truth relative to the source. How close to the sound of Grumiaux's "Rose" Guarneri does the gear render? Live music is a tune-up for the ears.
Tim
Albeit an 87dB sensitivity, specs on the Opera Callas monitors show an 8-Ohm nominal impedance. I'd give the Atma-Sphere M60s a try.
With regard to Audio Research ... historically I've never thought of ARC gear as quite as neutral as Neil suggests. For a long time they were the yang to CJ's yin. Their turn-of-the-century sound leaned toward a somewhat 'aluminized' flavor. *However* (imo) the latest batch of ARC Reference gear (Ref 3, 210, 610) along with their PH7 phono stage demonstrates vastly improved tonality, as near to neutral as I've heard from ARC. If anything, it is now reveals the barest hint of warmth - not entirely a bad thing.
I think of 'tonal neutrality' as relative - as Mrtennis suggests - you can hear differences in coloration between two pieces of gear, just as you can hear a difference in coloration between two concert halls. Its rare for two different amps to sound the same. 'Tonal transparency', if you will, can be truth relative to the source. How close to the sound of Grumiaux's "Rose" Guarneri does the gear render? Live music is a tune-up for the ears.
Tim