What is important for a piece of gear is not great measurements, but great measurements in things that actually correlate to good sounding equipment - not all things measured matter, some really do. In the world of speakers, Floyd Toole and the Canadian acoustic labs actually study which measurements, of what factors actually correlated to subjective preference - in the case of speakers on-axis frequency response correlates very highly and consistently with subjective preference.
I assume there are metrics that relate to amps and preamps that also correlate to subjective preference - 2nd Harmonic distortion? low noise? I don't know. Not sure how the various passives measure, though I imagine they are quieter than actives and have less measured distortion, and that there might be some correlation between these two things and subjective preference (when there is no gain and/or impedance mismatch). I'm not sure that low noise and low distortion in a "preamp" is techno-babble, seems pretty legit, and why they don't work optimally in certain systems is also pretty well understood.
Not sure what being objectively better would mean, unless noise and distortion were in fact the most critical factors determining what is "best" in a line stage (debatable perhaps) - in that case there is a pretty strong argument for passives against actives, At least by that criteria, passives simply measure better in those two (crucial?) parameters.
None of which means that any passive, no matter how good, will sound better to you than a Concert Fidelity in your system, and there may be very good reasons why that is so - (though I doubt objective measurements would be sufficient to explain it).
On the notion of a thread being an advertisement - I don't quite buy that. It may get people talking about a product, but it also exposes you to having people comment that they tried it and it was the most horrible piece of gear they ever heard. Nobody I know of who has tried an LSA would say that (or a BENT Tap for that matter).
Where this thread differs than simply talking up a product, is the fact that what is really of interest to me is the idea of passives in general, and why they may or may not be an ideal method of controlling volume. The secondary issue is whether the Lightspeed approach to passives is the best type of the genre, why (or why not), and under what circumstances.
I assume there are metrics that relate to amps and preamps that also correlate to subjective preference - 2nd Harmonic distortion? low noise? I don't know. Not sure how the various passives measure, though I imagine they are quieter than actives and have less measured distortion, and that there might be some correlation between these two things and subjective preference (when there is no gain and/or impedance mismatch). I'm not sure that low noise and low distortion in a "preamp" is techno-babble, seems pretty legit, and why they don't work optimally in certain systems is also pretty well understood.
Not sure what being objectively better would mean, unless noise and distortion were in fact the most critical factors determining what is "best" in a line stage (debatable perhaps) - in that case there is a pretty strong argument for passives against actives, At least by that criteria, passives simply measure better in those two (crucial?) parameters.
None of which means that any passive, no matter how good, will sound better to you than a Concert Fidelity in your system, and there may be very good reasons why that is so - (though I doubt objective measurements would be sufficient to explain it).
On the notion of a thread being an advertisement - I don't quite buy that. It may get people talking about a product, but it also exposes you to having people comment that they tried it and it was the most horrible piece of gear they ever heard. Nobody I know of who has tried an LSA would say that (or a BENT Tap for that matter).
Where this thread differs than simply talking up a product, is the fact that what is really of interest to me is the idea of passives in general, and why they may or may not be an ideal method of controlling volume. The secondary issue is whether the Lightspeed approach to passives is the best type of the genre, why (or why not), and under what circumstances.