EQ before Preamp?

Eldartford- Have you ever used any Black Gates in anything? Some say salt, sugar, white flower, beef, MSG, sunlight, etc, etc are to be avoided. Do you? Burr-Brown is recognized in the industry as one of the best. My bubble is one of experimentation and experience with components, in audio equipment over the last 30 years(started by modding new Hafler amp kits for my customers), a love for the sound of live music (as a sound tech and musician), and an extensive(35 year) familiarity with professional equipment. Blah, blah, blah. I'll just enjoy this little bubble, and the Julian Hirschs(I don't ever listen to live music, but I have a pretty good idea what it sounds like") of the world can enjoy theirs. Just think of all the money I coulda saved if everything sounded the same to me too. DARN!!

Umm, Eldartford used to design electronics for nuclear submarines or something like that - he knows his stuff.

Also, I would like to get back on topic here. The Components again are as follows: Linn Kremlin Tuner, Jungson JA1 Preamp, Behringer 2496 EQ, Monster MPA-2250. Those components are 'set in stone' - I just wanna know if there is any MAJOR problems (like overloading circuits - like when you plug a line level device into a phono input-a big no-no). Will, for instance the pre-amp signal 'clip' if I insert the EQ between the preamp and power amp?

***PART 2 - UPDATE - Additional related Question***

For the Subwoofer. The Jungson doesn't have a second line out. My sub is an (Active) Super Nova. The way I plan to hook that up is take a second set of speaker wires from the amp outputs to the speaker-level inputs of the Sub. Is this right?

Joeylawn- I have no doubt that he knows a great deal about electronics as relates to Naval Warfare. How much of that experience translates into creating the illusion of live music, played by real musicians, in the original venue in the listening room? That has been, is now and always will be the goal of true high-end audio, though it's not everyone elses goal obviously. He made the statement that Behringer equipment(and/or other pro gear) is built using the same quality components as high-end audio equipment, which is completely wrong. That is what I challenged. I've been working with pro gear for 35 years, working on it for 30, and I know better.

Rodman99999 and Joeylawn36111...Just for accuracy...My work was on missile guidance systems (which just happened to be launched from subs) and my audio electronics experience goes back to about 1955. I didn't make audio my profession because my family likes to eat, but it has always been a hobby.

Rod....What is "quality" of a component like a resistor. Is it the "Vishay" label? I prefer to evaluate equipment by how it sounds in my system rather than by removing the cover and inventorying the component parts. And yes, I have components with Black Gate capacitors, but I see no evidence that they significantly alter performance.

Nuff said.
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Eldartford- Since you asked: I would have to define a quality component as one that doesn't impress it's own signature on the signal it's passing. Resistors are noise generators and bulk foils(like the Vishays) are some of the quietest. Before you scoff, read these:(http://www.ecircuitcenter.com/Circuits/Noise/Noise_Analysis/res_noise.htm)(http://en.wikipedia.org/wiki/Resistor). You'll note that the encyclopedia mentions how the TCR of the foil resistor is extremely low(the goal of any critical electronic circuit is low noise). I'm truly surprised that I even have to mention these facts, given your experience with military contracts. You should know how tightly the government controls the high quality of it's acquisitions via the mil-spec guidelines, Vishay being one of the approved component suppliers. The capacitors I mentioned in the other post were all designed to pass audio signals specifically, and likewise, are much more transparent than lesser quality caps. I wouldn't presume to tell someone that their preference in sounds is incorrect. What makes them happy in their listening environment is their business. I realize some can't hear the differences that quality components make in the audio chain. The mods(when needed) that I have affected in my own(and others') equipment has, with few exceptions, very obviouly yielded a more faithful reproduction of live musicians, playing real instruments, in the original acoustic(given a well engineered recording). This is the goal of high-end audio and most of it's designers/manufacturers. The musician friends that I like to invite over to audition and judge my system have always commented on the "you are there" presentation. That doesn't make my own listening more enjoyable than it already is, but the stroking still feels good!