It's all good to add fancy ways of not having to quad match the LDR's but the end result is there's more junk in the signal path and it results in differing sound qualities (not levels) at different listening levels for each channel. This below is what I posted at DIY about the same subject.
"You need to look and measure that the I/O impedances of both channels at differing levels remain the same to each other, if not and they have different values of Z in and out (i/o), this will effect the sound quality of each channel hence may/will effect the stereo imaging. It will simulate the same effect as having large different lengths of interconnects for each L and R channel.
That is why quad matched sets have a consistency between channels, they remain equal for both at all levels of listening, unlike some of the pseudo Lightspeed Attenuators that are comming thick and fast. There is no free lunch."
Cheers George
"You need to look and measure that the I/O impedances of both channels at differing levels remain the same to each other, if not and they have different values of Z in and out (i/o), this will effect the sound quality of each channel hence may/will effect the stereo imaging. It will simulate the same effect as having large different lengths of interconnects for each L and R channel.
That is why quad matched sets have a consistency between channels, they remain equal for both at all levels of listening, unlike some of the pseudo Lightspeed Attenuators that are comming thick and fast. There is no free lunch."
Cheers George