New Rowland Criterion 2-chassis battery pre


Jeff Rowland Design has just created a page for its upcoming statement-level, twin chassis, battery powered full function preamplifier. Detail is still scant, but a little bit of info is already available, in addition to front and rear view pics. Here’s the page:
http://jeffrowland.com/Criterion.htm
And here’s the front view:
http://jeffrowland.com/Criterion-front.htm
And here’s the rear view:
http://jeffrowland.com/Criterion-back.htm

You will find a few specs already on the site. JRDG should be publishing more info in the next few weeks. I will post here as I receive it. in addition to the published specs that you can read on the page above, here are a very few additional tidbits that I have learned this far:

. Uses Burr Brown TI OPA1632 high speed fully differentially balanced modules.
. Includes phono stage.
. Uses standard NiMH D-cell batteries available in most electronics stores, loaded in 2 rear-inserted tubes of power supply chassis.
. Capable of AC/DC operation . . . will recharge batteries on independent circuit during AC operation.
. Full remote control
. Target price $18K (not sure yet)
. Availability: probably early Fall 2008.
. Will be featured at RMAF in Soundings Hifi suite Marriott 503 or 505 from Oct 10th to 12th in Denver.

And sorry folks, I have not heard this device yet. Nor I have any good third party reports on its sound. Any speculations on Sonics from my part would be just. . . pure speculations. I’ll keep everyone posted as I learn more.

Guido
guidocorona
I also have a 501 that I use for my center channel. It improved a lot when I got the PC-1, but was still definately behind my 301´s.
But believe me, it improved even more when I later on connected the PC-1 to my Burmester 948 which is powered by a Nordost Odin power cord!! Now I think the 501 are almost in the same league as my 301´s - got to throw in another pair of Odins I think! BTW, I think someone mentioned audiophrenia in this thread...
Yes, Audiophrenia being the most virulent known form of audiophilia nervosa. See:
http://positive-feedback.com/Issue46/audiophrenia.htm
Hi Guido,
Can you describe the volume control technology used for the Criterion?
I currently own the Synergy IIi - the volume control design is based on the CS3310 IC. Rowland were careful in their design to maximise the performance from this now IC.
So I am curious if Rowland has moved on to newer technology?
BTW, I really enjoy the Synergy, but hoping to upgrade in the future.
Thanks in advance.
Regards
Mark
I also have a 501 that I use for my center channel. It improved a lot when I got the PC-1, but was still definately behind my 301´s.

...

But believe me, it improved even more when I later on connected the PC-1 to my Burmester 948 which is powered by a Nordost Odin power cord!! Now I think the 501 are almost in the same league as my 301´s

sorry I don't understand ???
Mark, here is what I know about the control knob on Criterion.. . .

The knob first of all has 2 distinct ways of operating. . .

turning the knob adjusts volume for primary and secondary zones, right to left balance, input offsets, output offsets, menu scroll.

Pressing the volume knob utilizes the knob as a selector for entering menu mode and activating a selection.

I do not know what chip/module the volume control is based on, (it may be an HP part but I am not sure(, but it is an optically encoded system, therefore the knob can be rotated continuously clockwise and counterclockwise without ever reaching a stop position. When Criterion is turned on, volume is always at 0dB. The volume is speed sensitive: turning the knob slowly or pressing single taps on the remote control volume buttons changes volume in 0.5dB increments. . . rotating the volume control faster or holding down remote volume buttons changes volume in 1.5dB increments. . . the loudness range is 0dB to 99.5dB. Per my notes, precision/stability is said to be within 0.01dB. Furthermore, the volume control is said to cause the audio bandwidth to remain unrestricted at all gain levels, without the volume becoming a bandpass filter at low SPLs. Also when using the volume to change offset values, balance, and volume for secondary zone, the volume knob remains velocity sensitive.

It is my understanding that the volume control does not act on the audio section directly. . . The volume control is in the control chassis.. . it communicates with a microprocessor controller in the same chassis. . . when a volume change is requested, the microprocessor awakens a communication bus. . . sends appropriate control codes to the audio circuit in the audio chassis that alters the gain of the OPA1632, then powers down the data bus until new controls are required. So the controller is always offline, unless it is needed to change a preamplification parameter. . . and the change takes place in a fraction of a second.

From an experience point of view the volume control is extremely quiet. it turns with a little less friction than on Capri. I can hear very soft volume change clicks only when rotating the knob quickly beyond the 93dB mark on the display. . . which is something that I do only if no music is playing. The background noise is essentially completely quiet up to the top of the gain scale.

Let me know if you need more information. . . but this is all I know up to now. Guido