Tone controls- to use or not?


Thanks to years of playing in bands, and more recently working in a noisy environment, I've come to the sad realisation that my 40-year old ears no longer have their original upper frequency response. Adding a bit of "treble" on my amp's tone controls helps, but I'm normally loathe to use these controls.

Should I be looking at changing my setup to incorporate "brighter" sounding components, or is adding a little treble with the tone controls legitimate?

My system is a Cambridge 640C player, NAD c720 stereo receiver (based on c320 amp) and B&W DM602 speakers, Monster cable IC's and heavy guage "Kordz" (Australian) copper speaker wires.
carl109
each channel on a typical mixing board has it's own EQ. Used correctly, these can be adjusted to convey that instrument or vocalist with as natural a presentation as possible......My personal philosophy has always been, "Less is Better!" with regard to signal manipulation. To me the best results are always accomplished with a really good setup in the studio, and as little after-tweeking as possible.

I agree fully. I am not advocating that people use tone controls at +18 db to correct for a terrible room or system. All I am saying is that "Used correctly, tone controls can be adjusted to convey the music with as natural a presentation as possible - in a given room/setup" and "correctly" means very lightly - perhaps +/-3 db tilt at the most in a good setup (room/gear) or to suity personal taste.

Used correctly, a tone control (or even one set flat to 0 db) does not destroy, IMHO
The term 'audiophile' means 'audio lover'. So goof off with it to your heart's desire :)

A good number of tone controls, when set to flat, are not in fact flat at all- there is usually some perturbation on account of the controls. In addition, an additional stage of gain is required to drive the tone control circuit. Unless switched out (and even the switching circuit can have an audible artifact) these things will contribute to a loss of bandwidth, detail and increased distortion.

Hence, many 'purist' 'audio lovers' do without, in the quest for greater transparency/immediacy to the music. So, to refine the definition, there is a difference between an audiophile and a purist (purist being a subset of audiophile).

But I have to ask- because I don't know- if you have hearing loss (like many of us over 40/45 years) how is it that tone controls will help? Won't that make the experience of the recorded music that less real (because you could never hear it that way live)? Or is that not important?
Mr M- If you'll re-read my post, you'll note I said the definition has(since coined in the 80's) been watered down to nothingness. Your points prove mine precisely(Thank you!). Further: I offered no "hypothesis" at all about anyone's system. I only suggested he make himself happy in his listening room, and the hell with anyone else's opinions.
Shazam "and what things will agitate you or cause more damage. ".
Interesting question.
If someone has a 3dB loss at 5-7,000hz will boosting that range cause additional damage OR annoyance?
I would think that would be a matter of absolute volume level. If he listens at 75db, I can't see a boost of a few more dB causing any problem, IMHO.
Cdc - correct. The thing I find disturbing about the notion that someone with high frequency hearing loss should not use tone controls to boost the high frequencies is that it is insulting to people with a hearing handicap.