Krell KAV400 VS Musical Fidelity A300 A 3.2 A3.5


I could not find any threads dedicated to this seemingly obvious comparison.
Both SS integrated amps. Both a easily available in US and from Audiogon.
Both have plenty of power.

However my question is : For Classical and Jazz which one would be your preference and why?
I listen only to LPs if it matters.
Thank you.
I appreciate your responses.
128x128dkzzzz
One further note for the record...I have been one of the biggest critics of krell here on A'gon, but I am fair minded enough to give quarter when it is warranted.
>>I have been one of the biggest critics of krell here on A'gon<<

Not true.

You've been one of the biggest cheerleaders.

Also with MIT and Transparent.

Check the posting history.
THe KAV400xi is a fine amp for two channel, has excellent mids and bass, and sounds fantastic. There is something wrong with the thread author's system. Krell is on top of their game and this whining is simply more of the same stuff I have been hearing for several years now. They make fine gear, enough said.

Something is wrong with your system, my friend Dkzzz. Either that or you have colored it to death over the years and now your ears require some recalibration, which is also called accuracy. I would not be so quick to judge the amp until you let it settle in, at least three weeks. Gosh the need for instant gratification in this day and age at all costs will be the death of us all. BE PATIENT!
I state my preferences, as do you, Audiofeil. Perhaps you missed the parts where I mentioned my lack of enthusiasm, and subsequent sale, of my Evo system. That's honesty, not chearleading. I talk about what I have found to be the best for ME...YOU pontificate about things audio as YOU see it. We ALL express bias: it is up to the reader to decide what information they should hold dear.
Hey Dkzzzz,

You mentioned that you listen to LP's almost exclusively? What type of Phono Pre-amp are you using? What are your other sources. I can't argue with a person not liking his/her purchase but it is strange that you mentioned highs and low's as I've almost had the opposite experience. I found the bass to be light in comparison to previous Krell models and house sound. I thought the mid-range was open and honest and I had to pick a side I'd almost lean towards a darker presentation then a lighter. I think others have agreed with me.

I can say the same for the source, if your source player is digital and is etched then it surely won't be hidden by the Krell. Some would argue the Krell house sound is simply gain, I always thought of that as the best compliant you could get from an amplifier manufacture.

Audiofeil,

While I agree Dave_B can be off the charts with his praise and suggestions I would also like to point out that much of what you've cited is inaccurate. Krell is doing quite well, it is easier to dismiss one brand when not pinpointing a name in comparison. Krell sucks in comparison to the rest of the industry is vague at best. I'd like to know what you think is 'cutting' edge. I suspect there will be 100's of bashers with regards to your brands. Surely you influence your customers. If you aren't a Krell dealer then it would be ideal for you to play off the Krell name. This has been done for years with McIntosh, Wilson Audio and B&W. The fact that there are so many Linn, Naim, Krell, Wilson Audio, B&W and MAC bashers only suggests their dominance in the market place.

I think when comparing price-points in relation to competition the Krell name will be up there save their source players.