OK, here is what transparent means.
about 8 years ago i fell in love with the Tenor OTL 75 watt integrated monoblocks. at the time i owned a Mark Levinson #32 preamp which i considered very highly. one day i compared the integrated passive volume control in the Tenors to the #32. the resistor based passive in the Tenors sounded way less veiled and much more immediate and alive. Goodby Levinson.
next i wanted remote volume control; so i purchased a Placette RVC and tried the Tenor's thru the Placette RVC. i could hear no difference between listening direct thru the Tenor's volume control and adding the Placette RVC even if i used the line out from the volume attenuator.....in other words the Placette was transparent to the source.
it gets better.
it turns out you can stack 5 Placette RVC's end to end and you cannot hear any difference between these 5 stacked RVC's and only one of them, or none of them.
the Placette RVC was truely transparent to the source.....it changes nothing (or rather my ears could not detect any difference).
that is my definition of transparent.....what other audio electronics could do that?
btw; transparency is not the end all factor of sonic bliss; but it is an important issue.
about 8 years ago i fell in love with the Tenor OTL 75 watt integrated monoblocks. at the time i owned a Mark Levinson #32 preamp which i considered very highly. one day i compared the integrated passive volume control in the Tenors to the #32. the resistor based passive in the Tenors sounded way less veiled and much more immediate and alive. Goodby Levinson.
next i wanted remote volume control; so i purchased a Placette RVC and tried the Tenor's thru the Placette RVC. i could hear no difference between listening direct thru the Tenor's volume control and adding the Placette RVC even if i used the line out from the volume attenuator.....in other words the Placette was transparent to the source.
it gets better.
it turns out you can stack 5 Placette RVC's end to end and you cannot hear any difference between these 5 stacked RVC's and only one of them, or none of them.
the Placette RVC was truely transparent to the source.....it changes nothing (or rather my ears could not detect any difference).
that is my definition of transparent.....what other audio electronics could do that?
btw; transparency is not the end all factor of sonic bliss; but it is an important issue.