06-19-15: Charles1dadHi Charles,
Al, I know your VAC REN 300b amplifier is considered a highly tuned design that's said to be tough on the 300b. Are certain tubes selected/screened by Kevin Hayes to match the amplifier's demands? The Pavane/Shuguang black glass that Israel uses very successfully is a good sounding tube but not in same tier as the Elrog.
Yes, the VAC Renaissance amps run the 300B's hard, but according to Kevin, and also A'gon member "Raquel" (Drake), who as you know is especially knowledgeable about those amps, as long as the tubes are truly WE spec compliant they will have no problems and last for many thousands of hours. As "Raquel" said in this thread:
I've owned VAC Renaissance amps for eight years. They require well vetted output tubes. In fact, Sophia used to market a special set of the Sophia tubes for VAC Renaissance amps, which were the basic Sophia tube, but particularly carefully tested at plate voltages that resemble the voltage that 300B's see in the Renaissance circuit. Generally, as for transconductance, output tubes for the Renaissance amps should test in the 3,000-5,000 range [edit by Al: I suspect he meant minimum, as the vintage WE's were rated a bit higher than that]. In addition, the plate-to-cathode voltage is approximately 430 volts dc, with idle current approximately 85 to 90 milliamperes in a self-bias (cathode bias) circuit. Again, this is approximately 5% below rating for the WeCo spec 300B. The milliamp and transconductance testing for purposes of matching must be done at those voltage levels.The tubes in my amp, which are Chinese 300B-98's, I'm pretty certain were purchased from VAC by either the previous owner or by the dealer he sold it to, very shortly before I purchased the amp. Their bases are marked with measured data apparently taken by VAC during their screening process. I've had no problems with them after several years.
I've always gotten 8,000-10,000 hours out of my output tubes, but tubes that are not good tubes will not hold up in the circuit.
No doubt I could realize a substantial sonic upgrade by going to one of the upscale brands you've tried, IF I could be certain they could handle the operating conditions the amp would impose on them. But considering the cost of an octet of those tubes, or even a quartet if I were to run the amp in 30/30 configuration with four tubes removed, my recent investment in the DEQX HDP-5 you've probably seen me talking about with others in the current DEQX thread seemed to me to be a higher priority. As does a phono stage upgrade (probably to a Herron) at some point in the foreseeable future.
Matthias, thanks for your further inputs.
Best regards,
-- Al