Joel:
My stands were custom-made by Sound Anchors based on envelope drawings. The height is adjustable. I have the compression horn at ear-level. As I recall, the stands cost circa $600 shipped.
I use one Wavelength Cardinal monoblock on each DC, and a Larry D. Moore two-channel amp on the bass driver, i.e., one channel per bass driver. I use a Marchand XM-44 external crossover with the bass attenuated by 2.5 dBs.
Formerly, I used the Infinity Prelude MTS with a Cary Rocket 88R. The Prelude MTS is a great speaker, but not best for large-scale symphonic and choral music.
I don't know what to tell you about your room size. My listening room is in a large loft overlooking my living room, i.e., therefore a very large volume of space. All rooms have bumps which should be attenuated with a parametric EQ.
Good luck,
Jay
My stands were custom-made by Sound Anchors based on envelope drawings. The height is adjustable. I have the compression horn at ear-level. As I recall, the stands cost circa $600 shipped.
I use one Wavelength Cardinal monoblock on each DC, and a Larry D. Moore two-channel amp on the bass driver, i.e., one channel per bass driver. I use a Marchand XM-44 external crossover with the bass attenuated by 2.5 dBs.
Formerly, I used the Infinity Prelude MTS with a Cary Rocket 88R. The Prelude MTS is a great speaker, but not best for large-scale symphonic and choral music.
I don't know what to tell you about your room size. My listening room is in a large loft overlooking my living room, i.e., therefore a very large volume of space. All rooms have bumps which should be attenuated with a parametric EQ.
Good luck,
Jay