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Warmish SS pre:Rowland Synergy IIi preamp/others?

I am looking for a slightly warmish SS pre. I have pretty much narrowed it down to a pre in the $2000-$3000 used range. The best preamp I have yet tried (solid state) is a Classe CP-700, but it is out of my price range, used. I am looking at a CP-500, amongst others. What about the Rowland Synergy IIi? I couldn't find much around here. Pass X-1 was another option, but I was worried that it might be a little thin. I don't want a really thin sound, but something akin to a slight tube "ease" and musicality, but in a SS preamp. The Classe was very nice, and about the sound I was looking for. Other suggestions?

After listening to several preamps, I have come to the conclusion that a tube pre just won't work in my system. Every one I have tried has produced audible (at the listening position) hiss. This includes some very well regarded units up to $6K retail. Efficient speakers and 1v input sensitivity of the amp seems to be amplifying the background tube hiss. I listened to an I had a previous thread going, but that was before I had listened to some stuff and knew about the sound I was going for.

Amps are McCormack DNA-125 Rev. Gold, nice detailed SS sound, but still full.
chiho
jmcgrogan2's avatar
jmcgrogan2
6,346 posts
 
If you want a full bodied SS preamp, and like what you've heard from Classe, I would recommend one of the older Classe preamps. Either a Classe DR-6 or a CP-60 would fit nicely, and save you a few bucks.
I've owned many SS preamps, the JRDG Synergy II and Ayre K-1x amongst them (and many others).
IMHO, I would be choosing between an older Classe, or a Threshold (T2?) or a Coda (FET1?). I think these brands will best match with your McCormack amp's full bodied musicality.

Cheers,
John
chiho OP
26 posts
 
John,

Thanks for the heads-up. Is the CP60 still a good unit, even though they are 10 years old at this point? I see a Coda or Threshold unit come up every once in awhile for $500 or so, and they sell in a day, so I figured there was something to it.

How would you compare the Synergy II to the Classe? The Synergy is at the very top of what I am willing to pay, a CP-60 or DR-6 quite a bit less....
guidocorona
4,298 posts
 
Chiho, have you considered newer pres within the JRDG product line? As I have written abundantly elsewhere, I am incredibly fond of the Rowland Capri. I can't make a personal comparison with the Synergy, as I haven't auditioned Synergy. . . but according to Mr. Rowland, Capri exceeds performance characteristics of the Synergy. Capri sounds very extended and linear with complex harmonic development. It does sound eminently musical and enjoyable to my ears, without IMO sounding 'warm' per se. . . as such, I would not characterize it as tuby per se, although it shares the sense of audible 'ease' of some tube designs. Pricewise, used Capris on Audiogon appear to be listed well below Synergy II offerings. Guido
chiho OP
26 posts
 
Yes, I had looked at the Capri, but the mixed reviews turned me off. I did talk someone to had owned or auditioned several Rowland pieces, and thought the Capri to be way under the Synergy IIi performance-wise. Not having heard it personally nor having a Rowland dealer around to try, I can't personally comment. I know that with my speakers, the Rowlands tend to have great synergy in general, but that is with the older stuff. I haven't heard anything about the synergy with the newer digital units.
guidocorona
4,298 posts
 
Chiho, Capri is not a digital pre. . . I believe it operates in class A and is based on the TI Burr Brown differentially balanced OPA1632 op-amp. Personally, I prefer it over my own ARC Ref 3 in all parameters, except for staging and imaging, where IMO the two devices are comparable instead. I know of only 1 (capsule) online review of Capri, which is suggestive of a foreshortened break in period because of mixed comments about resolution, frequency extension and staging/imaging.
http://www.audioenz.co.nz/2007/rowland_capri-102.shtml
I'd love to read other reviews of Capri. . . but I haven't seen too many. . . except for my own Audiogon freewheeling ramblings. For what it matters, I used Capri as my reference pre in my print review of the Vienna Mahler speakers on issue 188 of The Absolute Sound (December 2008). G.
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