Please suggest good balanced Preamp



I woould like to get your experiences with and recomendadtions for balanced preamp with XLR input/output and possiblly balanced design from input to output. Cost around $3500 or less (used or new) would be good. Less is better. My criterias are :
1. Extreme transparency.
2. Extreme low noise. S/N > 100 dB.
3. Phono is not required but I have no objection if it has phono.
4. Minimum one pair of XLR input and one pair of XLR outputs.
5. Remote will be good but I can compromise a remote for the quality of the preamp.
6. Tube (preferable) or SS

I tend to prefer tube preamp over SS, but very good SS pre is not out of question. I am too lazy in tube rolling business and like to stick to the stock tubes that comes with the pre from the manufacturer. I know, I will miss the best capability by not rolling tubes. But I don't want to fill up my house with tubes.

Few recomendadtions I have received are:
ARC Ref 3 (out of my price range)
Ayre K1xe (little over my budget even used)
Pass Labs XP10 (this may be within my budget if used)
McCormack VRE-1 ( model ??, have not seen in used market)
VTL 7.5 (way over my budget even used)
Atma Sphere MP-1 (also costly)
Asthetix Calypso (many complains very noisy, does not fit my criteria).

What can you suggest for an exceptional balanced tube preamp of similar caliber of preamps mentioned above within my budget ?
Thanks,
topmostaudio
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Your list is already excellent. Any preference would have to be very much subjective and synergy would certainly be critical (so what's new?!). Add Modwrights LS36.5 - It has a 6H30 tube output and is tube rectified. One set of XLR's, no phono (Dan makes a separate phone stage) and meets all other criteria you list. I'd say it's very linear, clean and neutral and it throws a soundstage like nobody's business. Fairly rare on the used market, but does appear on occasion at or around your price point. The power supply is upgradable if you want to go that direction at a later time. Disclaimer: Modwright is among my clients as a photographer / graphic designer. I've been using and enjoying Dan's products years before he became a client.
I don't know what the Pass X-over's impedance is, but Pass amps tend to be on the low side for tubes. That said, the Sonic Fronties Line 3 SE might work for you.
It isn't truly balanced end to end but I'd also consider the McIntosh C2300. I know you mention you don't like tube rolling but rolling the 2 linstage tubes to something like Amperex or Telefunken SP would bring out the best in this premap.

I've been very satisfied with mine and it is in the high end of your price range used. It has plenty of XLR inputs and 3 XLR pairs of outputs.
The Atma-Sphere preamps utilize a lot of tubes. When you detect a bad tube, tracking it one down is reasonably time consuming.

I owned an MP-1 preamp, and as great as it sounded, the tube maintenance involved was clearly going to be an issue for me, so I sold it.

Tvad, would you elaborate on this? The MP-1 has 18 tubes total. If you got a noisy channel, why not just swap tubes two at a time (between channels) until the bad tube is found? Nine swaps would be the maximum number. Then once the bad tube is is isolated, just order another matched pair?

Also when you say tube maintenance, are you talking about something beyond troubleshooting a bad tube? To me it seems tubes last a reasonable amount of time such that the gain in sound quality is worth a little maintenance every couple of years. OTOH, a full compliment of replacement tubes can be pricey and I understand the ongoing expense over the years is not nothing.

I recently bought a Cary 120S tube amp and I have to say, I get what the tube afficionados go on about. I like it enough that I'm thinking about moving up to Atmasphere. Still I do get that tubes are a bit more of a hassle, hence my inquiry.