Spectron - Awesome. Spectron amps deliver a natural and realistic sound for pretty much any genre. Immediately noticalbe are these attributes; transient speed with no overhang - resulting in a tremendous sense of control but in a very natural way, tonal rightness, lack of distortion, transparency - these are some of the descriptors that come to mind. The spectrons never sound cold or uninvolving. I've had the highly-touted Nuforce Ref9s and the Spectron amps sound righter to me. Although I don;t currently own the Musician III MK2 (yet) I do have, among other amps, the original Spectron 1KW (serial#2 John's personal amp)and serial #1 of the Model 10 preamp(a superb preamp) The 1KW, 'old buzzard' that it is, positively kicks the crap out of most amps - and I own or have owned some top amps. It makes me laugh the way people take everything the reviewers say as gospel. Some audio mfrs / press have tried to convince everyone that Class D is not reasdy for prime time. The best Class D amps are really and truly superb - and I do still have excellent hearing. Just listen to some little in-car and in-tv amps and marvel at how good they can sound for such a basic installation. that gentlemen, is Class D.
Is too much power in an amp really a problem?
As recently as 8-10 yrs. ago, I maintained my card carrying residence in the ‘lots o’ watts’ camp’ regularly. I’ve since held only a casual attendance to that group, and since departed with the acquisition of higher eff speakers, and lower powered tube amps.
Now I’m debating the future and appropriateness, of that perception and considering another SS, or a non tube amp. This time a digital amp… such as a class D or ICE configuration… as in a Bel Canto, PS Audio, Spectron, Wyred 4 S, etc., to use for both music and HT with my current Silverline speakers.
Several of these amps profess IMO rather high ratings for output power. 250, 300, and 500 wpc into 8 ohms, as your ‘oh by the way’ choices, and then doubling up should the impedance drop off to 4 ohms!
1000 wats per!
E frekin' Gad!
Truth be told, I’ve never put together a high eff speaker & high powered amp combo, nor felt the need, so I’m in a whole new ball game now, or am I?
I understand immense power reservoirs on tap, (like with my former BAT vk500) is a good thing, as well as are other attributes like a good input impedance, and control or damping figures. that amp ran VR4 JRs though, and both have since departed la casa Sunburn.
Additionally, my current tube mono blocks (120wpc) handle my 93db Sonata IIIs quite well IMO. My Odyssey Stratos SE also does a good enough job too rated at about 160 wpc. Between the two amps, the Dodds are the better sounding, and appear to have better control and more ease with the Silverliness.
In making a choice on one of these Digital or ICE amps, should the power numbers be regarded as something other than what they are? I mean more likely, do 250 wpc into 8 ohm rated ICE amps provide likewise results or the same feel, of an SS amp having the same output? Ie., control, power reserves, etc?
I do feel a good match between the speakers and amp is a prime consideration now, and do not wish to buy far too much or too little an amp, given these thoughts.
There too is the thought of the amps actual 'voice' itself to consider.
I sure wouldn’t want to smoke the speaks with too little or too much power on tap. Or have the amp ()s) always loafing. Or is that loafing bit just nonsense?
Any experiences and insights here on the digi power front is more than appreciated as I'm trying to get a 'feel' for this 'new to me' amp topology and not over or under buy.
Thanks much.
Now I’m debating the future and appropriateness, of that perception and considering another SS, or a non tube amp. This time a digital amp… such as a class D or ICE configuration… as in a Bel Canto, PS Audio, Spectron, Wyred 4 S, etc., to use for both music and HT with my current Silverline speakers.
Several of these amps profess IMO rather high ratings for output power. 250, 300, and 500 wpc into 8 ohms, as your ‘oh by the way’ choices, and then doubling up should the impedance drop off to 4 ohms!
1000 wats per!
E frekin' Gad!
Truth be told, I’ve never put together a high eff speaker & high powered amp combo, nor felt the need, so I’m in a whole new ball game now, or am I?
I understand immense power reservoirs on tap, (like with my former BAT vk500) is a good thing, as well as are other attributes like a good input impedance, and control or damping figures. that amp ran VR4 JRs though, and both have since departed la casa Sunburn.
Additionally, my current tube mono blocks (120wpc) handle my 93db Sonata IIIs quite well IMO. My Odyssey Stratos SE also does a good enough job too rated at about 160 wpc. Between the two amps, the Dodds are the better sounding, and appear to have better control and more ease with the Silverliness.
In making a choice on one of these Digital or ICE amps, should the power numbers be regarded as something other than what they are? I mean more likely, do 250 wpc into 8 ohm rated ICE amps provide likewise results or the same feel, of an SS amp having the same output? Ie., control, power reserves, etc?
I do feel a good match between the speakers and amp is a prime consideration now, and do not wish to buy far too much or too little an amp, given these thoughts.
There too is the thought of the amps actual 'voice' itself to consider.
I sure wouldn’t want to smoke the speaks with too little or too much power on tap. Or have the amp ()s) always loafing. Or is that loafing bit just nonsense?
Any experiences and insights here on the digi power front is more than appreciated as I'm trying to get a 'feel' for this 'new to me' amp topology and not over or under buy.
Thanks much.
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- 80 posts total
- 80 posts total