I agree with the vocabulary points. I use all of those same audiophile terminology's to describe PeterST`s NOS1 USB Dac with XXhighend software and XXcomputer all the way from the Netherlands.
http://www.phasure.com/index.php?topic=1744.0
No more turntable for me. No more tubes... thank god!
FINALLY digital prevails! And how.
This front end gear is the EPITOME of accuracy! And 100% neutral.
I, and many others, hasn`t really hit USA yet, refer to Peter`s Dac as incredibly real AND musical.
This gear warrants direct connection to amps and is exactly what Peter recommends.
Connect tubes or any preamp etc and down she goes. Even if it seems subtle at first.
I want to hear everything in the recording. Every shade every whisper every subtly.
I want to hear the cymbal delicately fade in the background after a startling strike as the other instruments are still at full pace.
Now I truly know what distortion and coloration is!
It`s almost as if, to me ,and let that be clear, HF somehow accounts for most of our usual front end short comings. Which is great if that were so.
Enter the arena Mr NOS1. It`s almost as if HF has nothing left to help now? Still great of course, in all HF glory.
Teo now takes the stand. Viola! Still accurate, even more so, musical as ever AND this added magic! What`s the magic? How would I know.
It certainly isn`t anything typically tubey. I sometimes refer to it as alien technology tube sound..... that FINALLY works!
In the end I just call it real. Simply sounds like real instruments real voices in real venues with truly shocking dynamics.
NOS1 could explain, maybe, some of my past comments regarding these cables. In all due respect too.
Sorry if this didn`t really make sense.
NOS1 users would accept it. And they are growing every day.
http://www.phasure.com/index.php?topic=1744.0
No more turntable for me. No more tubes... thank god!
FINALLY digital prevails! And how.
This front end gear is the EPITOME of accuracy! And 100% neutral.
I, and many others, hasn`t really hit USA yet, refer to Peter`s Dac as incredibly real AND musical.
This gear warrants direct connection to amps and is exactly what Peter recommends.
Connect tubes or any preamp etc and down she goes. Even if it seems subtle at first.
I want to hear everything in the recording. Every shade every whisper every subtly.
I want to hear the cymbal delicately fade in the background after a startling strike as the other instruments are still at full pace.
Now I truly know what distortion and coloration is!
It`s almost as if, to me ,and let that be clear, HF somehow accounts for most of our usual front end short comings. Which is great if that were so.
Enter the arena Mr NOS1. It`s almost as if HF has nothing left to help now? Still great of course, in all HF glory.
Teo now takes the stand. Viola! Still accurate, even more so, musical as ever AND this added magic! What`s the magic? How would I know.
It certainly isn`t anything typically tubey. I sometimes refer to it as alien technology tube sound..... that FINALLY works!
In the end I just call it real. Simply sounds like real instruments real voices in real venues with truly shocking dynamics.
NOS1 could explain, maybe, some of my past comments regarding these cables. In all due respect too.
Sorry if this didn`t really make sense.
NOS1 users would accept it. And they are growing every day.