R.Strauss, Also Sprach Zarathustra, Reiner/CSO (Classic Records 45rpm reissue - unfortunately not an improvement over the 33rpm reissue in terms of string tone: it shreds my ears and no amount of VTA adjusting can cure it. But other aspects of the sonic picture have great impact and power. However, the strings are hard and steely, reflecting the worst of the early Classic Records remastering efforts.)
Handel, Sonatas for Oboe, cello and continuo, L'Ecole D'Orphee, CRD 1077/8 (another outstanding performance by L'Ecole D'Orphee, and another marvelous engineering job from Bob Auger)
Herold-Lanchberry, La Fille Mal Gardee (excerpts), Lanchberry/ORylOpera, Decca, SXL 2313 (45rpm Speakers Corner reissue - an absolutely superb performance, recording and reissue. The 45rpm version vastly outclasses the earlier 33rpm reissue from Speakers Corner.)
Elton John, Goodbye Yellow Brick Road, MCA 2-10003 (an early US pressing, with unfortunately hard, edgy, bright sonics. Is the Speakers Corner reissue materially better?)
Cat Stevens, Teaser and the Firecat (Mobile Fidelity reissue - quite good sonically, with natural timbre and detail. Tom Port claims this is the "worst sounding version of all time." I'm listening to #0898 and if Tom's listening to the same series pressings, he and I clearly don't agree on the sound of this reissue.)
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