Update: Rowland, Luxman, and an inconclusive conclusion
Now back from the RMAF. While in Denver was able to hear a demonstration of the Rowland Continuum (thanks to Guido and David who shepherded me there and Rod who did the demo). An impressively convincing amplifier, seamless sound throughout the frequency range, neutral, quick, very competent at sound staging, all the right qualities. Those who had heard both all preferred it to the Boulder. Not even unduly expensive.
Not to leave any possibility unexplored, visited the Accuphase and Luxman rooms. They were demonstrating monoblocks, not their integrateds, but I got a distinct impression of the character of their sound insofar as I sensed the same slight brightness from Accuphase that I had encountered at home and found the Luxman sound natural and pleasing.
But then ....
At one point out of curiosity I dropped in to listen to the SoundSmith strain gauge cartridge and was enchanted. There is a good deal to be said in favour of using Peter Ledermann's phono stage-cum-preamp along with (because they don't need to take up rack space) monoblock power amps. That raises a whole unexpected set of possibilities and prospects. Back to a new beginning! Thanks to all who contributed to this thread, I've learnt a lot, sorry not to have come to a decision yet, but life is full of surprises.
Nicholas
Now back from the RMAF. While in Denver was able to hear a demonstration of the Rowland Continuum (thanks to Guido and David who shepherded me there and Rod who did the demo). An impressively convincing amplifier, seamless sound throughout the frequency range, neutral, quick, very competent at sound staging, all the right qualities. Those who had heard both all preferred it to the Boulder. Not even unduly expensive.
Not to leave any possibility unexplored, visited the Accuphase and Luxman rooms. They were demonstrating monoblocks, not their integrateds, but I got a distinct impression of the character of their sound insofar as I sensed the same slight brightness from Accuphase that I had encountered at home and found the Luxman sound natural and pleasing.
But then ....
At one point out of curiosity I dropped in to listen to the SoundSmith strain gauge cartridge and was enchanted. There is a good deal to be said in favour of using Peter Ledermann's phono stage-cum-preamp along with (because they don't need to take up rack space) monoblock power amps. That raises a whole unexpected set of possibilities and prospects. Back to a new beginning! Thanks to all who contributed to this thread, I've learnt a lot, sorry not to have come to a decision yet, but life is full of surprises.
Nicholas