In search of the right SS integrated amp


My audiophile friend Greg brought over new Accuphase pre and power amps, successfully demonstrated that my GamuT D3 / D200 Mark III (which have served well) are no longer state of the art. But in my high-rise apartment I’m spatially challenged; what I’d really like is a top quality integrated, 2 channel, solid state (tubes/valves are intimidating), with at least 2 pairs balanced (XLR) inputs (for phono stage, CDP). Nowadays, happily, such exist. Here are some I’ve read about:

TOP TIER (no obvious drawbacks)
-- Boulder 865 – generally admired, beautiful square wave (how often do I listen to square waves?)
-- Chord CPM 3350 – heard Chord system once, much impressed; M. Fremer critical, but of older model
-- Pass Labs INT-150 – right features; high praise, low price; can it really sound as good as the others?

SECOND TIER (sound reportedly all right, but with superfluous features like tone controls)
-- Accuphase E550 – should sound about as good as Greg’s two boxes
-- Burmester 032 – gorgeous cosmetics, but more expensive than others; maybe not worth it?

THIRD TIER (technically proficient, but found emotionally lacking by reviewers)
-- GamuT Si 100 – descendant of my present amplifiers
-- Jeff Rowland Continuum 500 – reviewer may have used unsuitable speakers

Grateful for any comparisons, comments, recommendations.
nwickend
Update: Rowland, Luxman, and an inconclusive conclusion

Now back from the RMAF. While in Denver was able to hear a demonstration of the Rowland Continuum (thanks to Guido and David who shepherded me there and Rod who did the demo). An impressively convincing amplifier, seamless sound throughout the frequency range, neutral, quick, very competent at sound staging, all the right qualities. Those who had heard both all preferred it to the Boulder. Not even unduly expensive.

Not to leave any possibility unexplored, visited the Accuphase and Luxman rooms. They were demonstrating monoblocks, not their integrateds, but I got a distinct impression of the character of their sound insofar as I sensed the same slight brightness from Accuphase that I had encountered at home and found the Luxman sound natural and pleasing.

But then ....

At one point out of curiosity I dropped in to listen to the SoundSmith strain gauge cartridge and was enchanted. There is a good deal to be said in favour of using Peter Ledermann's phono stage-cum-preamp along with (because they don't need to take up rack space) monoblock power amps. That raises a whole unexpected set of possibilities and prospects. Back to a new beginning! Thanks to all who contributed to this thread, I've learnt a lot, sorry not to have come to a decision yet, but life is full of surprises.

Nicholas

The amps you've mentioned are very, very good, to excellent.
A more telling conversation would be, 'what flavor' do you look for in music.
Virtually every designer will tell you that his design has 'no sound of it's own', and I'm sure they're being sincere...it's just that all have a 'flavor.'
Knowing, your speakers, listening preferences, volume preferences, all play into any good, well thought out recommendation.The problem with recommendations is that everyone 'loves' what they happen to sell, or frankly may not have a wide berth of experience with the 'sounds' that the unit's offer.
Example, a Chord, with a pair of THIEL CS 2.4's would not be to my personal liking...slghtly dry plus slightly dry equals too much of one characteristic. The MAC may be better, (but you may think the MAC sounds a little rolled off, or 'slow'. Note I say, 'you might think.'
That's not to criticize either, just making the point that too much of one particular sound characteristic can be bothersome, (TO ME).
If you're lucky enough to have a B&M store with several models, ask for long term, (week end borrowing priv). If he's/she's nice enough to accommodate, don't consider, (assuming you find what you like) buying elswhere.
Or, if you'd like private advice on basic sound characteristics,(just email me) I'd be happy to acquaint you with my perceptions. This business is so subjective, having additional ears to assist can sometimes be very helpful.

Good luck and good listening.

Larry
Or I should say, have you considered the NEW Simaudio 700i integrated? I'm trading in mine for the new model.
Interesting thread. Until recently, I had a GamuT D3/D200 Mk3 combo and am now considering integrateds, so I am interested in your journey, Nwickend.

I want two balanced inputs, so it's a shame that Simaudio only provides one, even in the new 700i (which appears to be a replacement for the i-7).