Magfan - I don't know if Mosfet configuration alone can be considered topology. Icepower uses full bridge vs. half-bridge on Hypex. Some people claim that full bridge sounds more "tube like" but also places half of the supply voltage on speaker terminals and in addition cannot be bridged.
Bobrock - Bass is one of the stronger points of class D. The issue is not if class D is best sounding but how does it sound for the money and if YOU like it. If there would be something really wrong with it (as Audiofeil implies) Jeff Rowland would not switch whole production to Icepower. Class D sound is very clean and revealing - will show deficiencies in your system.
As for the amp being "switching" or using switching power supply - every linear supply is in fact switching supply operating at 120Hz.
Main problem of class A/B is very high gain before feedback (up to 4000) that is about 10x higher than gain in class A amp (as low as 200). This high gain, in presence of limited bandwidth, is causing some overshooting on high slew rate pulses (TIM distortion). As a result of this amp produces/enhances higher order odd harmonics - that our ears are very sensitive to, making sound sharp/unpleasant. Tube amps on the other hand enhance even harmonics making sound wonderful on voice or guitar bad worse on instruments with complex harmonic structure like piano (sounds like out-of tune). Class D or A are likely neutral.
Bobrock - Bass is one of the stronger points of class D. The issue is not if class D is best sounding but how does it sound for the money and if YOU like it. If there would be something really wrong with it (as Audiofeil implies) Jeff Rowland would not switch whole production to Icepower. Class D sound is very clean and revealing - will show deficiencies in your system.
As for the amp being "switching" or using switching power supply - every linear supply is in fact switching supply operating at 120Hz.
Main problem of class A/B is very high gain before feedback (up to 4000) that is about 10x higher than gain in class A amp (as low as 200). This high gain, in presence of limited bandwidth, is causing some overshooting on high slew rate pulses (TIM distortion). As a result of this amp produces/enhances higher order odd harmonics - that our ears are very sensitive to, making sound sharp/unpleasant. Tube amps on the other hand enhance even harmonics making sound wonderful on voice or guitar bad worse on instruments with complex harmonic structure like piano (sounds like out-of tune). Class D or A are likely neutral.