Passive preamp vs. powered

Mrtennis, it is true there are those who do not like imaging, bass extension, smoothness or clarity. I've met them, but generally I find that I don't care for their opinions as they are so far from reality. It is my opinion that the more it sounds like reality, the better :)

Mrtennis, I agree with you in that there is an element of subjectivity in what we like or don't like, there is certainly room for personal preference, but I think there is a limit to that argument as well, there is after all good taste and bad taste with some range of difference of opnion, but a speaker that has large anomalies in frequecy response, or lacks balance, or images poorly, a whole slew of "objective" criteria that is measurable is poor by any measure, and if one likes those kinds of abberations from neutrality I think that person's opinion is not likely to be very useful to most people - there is room for taste, but reproduced sound does exist within the range of a basic recipe based on some level of accuracy to the source signal. Whileone might not make a decision on "objective" data alone, it is not a bad starting point either.

"...it is true there are those who do not like imaging, bass extension, smoothness or clarity. I've met them, but generally I find that I don't care for their opinions as they are so far from reality"

Hi Ralph,
I'm probably overreacting to my pet peeve but I'm tired of people suggesting that I don't value "reality" because I don't place imaging as highly as others do on my list of priorities. At its best, imaging is the representation of the "miking" in the recording process. It's actually a nice perk that high-end audio has over live events. I know that you are technically correct - that since imaging is on the recording, it should be reproduced. But since pinpoint imaging is so seldom present in my live event experiences, its presence is less vital for me to achieve a sense of reality. In my humble opinion of course.

Phaelon, if the imaging is in the recording and you're not hearing it, why would that be? Not that it should be a goal to have imaging per se, you are right, it doesn't really exist in live music, at least not much in my experience, but if it is in the recording and it doesn't come through in the reproduction doesn't it suggest that something is missing that shouldn't be? It would seem to suggest a loss of information, whether "real" or not.

Hi Paul,
I don't dispute your point. What I took exception to is the assertion that, because I don't walk lock-step with the majority of the audiophile community in certain subjective values, my opinions are disqualified.

Let me attempt an analogy: I assume that one of the goals of a movie set designer, when constructing models of a set, is to facilitate the audience's "suspension of disbelief". High-definition video, like high-end audio, is concerned with extracting all the recorded information. Consequently, I now find that in some movies, high definition reveals Hollywood's magic tricks. Whereas before I was able to suspend disbelief and see a castle, I now see a plastic model. Likewise in audio, pinpoint imaging can sometimes serve as yet another reminder that I'm listening to a recording.