I have a Jolida 302b and I'm looking for tube rec?

A question first, is this a modified 302 or stock because the stock 302 uses EL-34 tubes for outputs. I have found in "my system" and tube differences are system dependent that the new issue Mullard EL-34 tubes sound the best for reasonably priced tubes. The ax-7 and at-7 tubes make quite a difference in the sound also, I have tried many combinations and again in "my system" I have found the best sounding tubes are amprex bugle boys or seimens ecc-83 for the ax-7 tubes and the best sounding at-7 by far is believe it or not GE JAN AT-7WC (these are fairly low priced and abundent).

I have a Cary SLA-70 in which I have tried EL34s, 6550's and KT88's. By far the best sound in my system has been with the Gold Lion re-issue KT88's. Very robust, quiet tube, with just the right touch of 'sweetness' in this Class A circuit. I know there are obviously variations among these various tube types depending on what actual brand of each you try. My EL34's are Manley-branded Groove Tubes (Sovtek, I think - nice, but a little "soft" sounding in this amp), the 6550's are SED 'winged C' Svetlana 6550's (nice, with more extension at both extremes, but somewhat "dry" sounding) and the aforementioned GL KT88's (a great combination of the strengths of the other two). Mine came from Jim McShane, who has acknowledged some quality issues in very early versions, but stands by their reliability. They're very cool-looking to boot :-)

As far as 12AX7's go, you'll find as you research things that the Telefunkens are supposed to be some sort of 'Holy Grail' 12AX7, but I personally find that, though reportedly a great match with thicker, slower, darker-sounding vintage amps, they take away some of that tube "magic" in the newer tube amps (I had the Jolida 502B, which was my first foray into the world of tube amps). This is obviously just me describing MY experience. 5751's are (usually) direct replacements for 12AX7's, and though they lower the gain by around 30%, the right one can sound really sweet in place of a 12AX7.

Have fun, and I'm sure you'll get some really good suggestions here on the forum.

I brought my CD's to a dealer that had high end gear.They had the Jolida line and wanted me to listen to them.On my CD's the 302 and 502 amps just couldn't get the highs right.They got congested on certain passages.They herd the same and swapped tubes with some NOS tubes to try to rectify it.It didn't help.The dealer didn't pay that much attention to the the newer line yet.Even with the low prices,he was considering dropping them.If your trying to get the pristine highs correct,it won't happen with tube rolling.If pricey NOS Mullards and Bugle Boys at about $800 for one amps tubes won't,I doubt any modern tubes will. The other tube amps they had there didn't have any problems with the CD's I brought.

I have a Jolida 502BRC and if the 302 is similar don't go for the NOS Telefunken 12AX7 or reissue Mullard 12Ax7, too dark, cutoff and mushy with the Jolida. I tried and these were my impressions.

I talked with the owner of Jolida (Mike Allen) he agreed with me that the best new 12AX7 was the Tung Sol 12AX7 reissues, the best NOS was the RCA 12AX7 Grey or Black (expensive, good luck buying).

For the 12At7 section I really like the NOS Mullard Cv4204 and then the Sylvania 12At7.

For the Power tubes I really like the KT88 Gold Lion reissues in the 502 but you are running El34's so cant comment...

Theron