The closest approach: what amplification?


Ken Kessler titled his book on Quad "The closest approach" to summarize Quad's philosophy of producing a speaker that gets as close as possible to the reproduction of a live event. I have been wondering if there is a type of amplification that gets us closer to the real thing more than other types. I have met many audiophiles over the past few years, and what strikes me is how religious people can get about radically different types of amplification: some swear that there is nothing like small-power SET coupled with efficient speakers. Others believe that you don't have a serious system unless you use muscular SS amplifiers (e.g. 300 WPC). Others believe that powerful push-pull tube configurations are the best of both worlds. Finally, there is a small community of OTL aficionados that look at the rest of the world as if they don't know what music reproduction is all about.

Of course these people value different things. Some like imaging more than other things; others value transparency; others are crazy about huge soundstages; others seek warmth etc. And it is clear that some types of amplification are better for certain things and others are better for other things.

Now, let us consider simply the reproduction of a live event (not some specific, partial dimensions). In your experience, what type of amplification got you close to the real thing? Powerful SS, SET, OTL, powerful push-pull?
ggavetti
"IOW understand the rules of human hearing" is surely an overstatement. Hearing evolved along with the brain, and our survival and social needs for eons. We are a very long way from a complete understanding how it interprets information.
Atmasphere: I must be getting tired because I misread your opening paragraph.
Please ignore my response.
cheers
Atmasphere, i am not sold on the notion that audiophiles need to be good physicists or neural scientists to make progress with audio. as far as i am concerned, i much prefer making progress with audio by educating my ears to perceive dimensions about sound reproduction that one is not aware of unless he educates his hear. so, my approach is to educate my ear and then experiment with different systems, not studying the physics of sound or the neural bases of hearing.
Ggavetti, I completely agree with you. To be clear here though, its not the audiophiles that need to understand this stuff, its the **designers**!

IOW when you see designers building equipment that follows the human perceptual rules rather than bench specs, then meaningful audio progress will result.
I think Atma-sphere's comment were meant for designers of equipment, where, if not physics, at least some knowledge electrical engineering and psychoacoustics would be more than useful.