Guidocorona, feedback is very definately a factor in preamp design. A very famous Ampex recorder (model 351-2), used by RCA and Mercury as well as many others, featured a zero feedback record circuit.
EQ of phono preamps is often handled in the feedback loop of the preamp. The Dyna PAS-3 is a good example as is the ARC SP-3. If not, you will often see the term 'passive equalization' used by the manufacturer. Harmon Kardon used passive phono EQ in their famous Citation 1 preamp decades ago. IMO/IME passive EQ is harder to execute, but allows the phono preamp to sound better- smoother, with less ticks and pops. Refer to my prior posts as to why that is.
Chatta, there is of course an intellectual preference that each audiophile carries. Despite this conscious preference, the human brain apparently knows when it is being fooled, whether we consciously acknowledge it or not. Dr Herbert Melcher, a famed neuro-chemical scientist, has proved this recently in tests using audio playback- its fascinating stuff: as the brain detects violations of how reality actually sounds (false noise floor, slow waveform delivery, etc.), the processing of music moves from the limbic centers to the frontal lobes of the human brain. When we are comparing cables or listening to MP-3s, the processing is entirely in the frontal lobes.
EQ of phono preamps is often handled in the feedback loop of the preamp. The Dyna PAS-3 is a good example as is the ARC SP-3. If not, you will often see the term 'passive equalization' used by the manufacturer. Harmon Kardon used passive phono EQ in their famous Citation 1 preamp decades ago. IMO/IME passive EQ is harder to execute, but allows the phono preamp to sound better- smoother, with less ticks and pops. Refer to my prior posts as to why that is.
Chatta, there is of course an intellectual preference that each audiophile carries. Despite this conscious preference, the human brain apparently knows when it is being fooled, whether we consciously acknowledge it or not. Dr Herbert Melcher, a famed neuro-chemical scientist, has proved this recently in tests using audio playback- its fascinating stuff: as the brain detects violations of how reality actually sounds (false noise floor, slow waveform delivery, etc.), the processing of music moves from the limbic centers to the frontal lobes of the human brain. When we are comparing cables or listening to MP-3s, the processing is entirely in the frontal lobes.