Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1
Opening Act: Cannonball Adderly -- Somethin' Else
2nd Act: The Black Keys -- Attack & Release
3rd Act: Led Zeppelin -- IV
Headliner: The Band -- Best Of

Weird night for me, and it ended with the track "The Night They Drove Ole Dixie Down," which does NOT bode well for my parlay.
Please excuse my spelling error. Spell check is a real pain sometimes. I frequently have to correct the "correction".

Rushton: I rather like the one with "she that has good eyes has also good thighs" one too. Incredibly funny but at the same time with the same very high quality sonics that is Harmonia Mundi as well as the art of the Deller Consort.
What more could you want?

cheers

e
I just got several new records in the mail today.I will be auditioning some of them tonight as follows:

Benjamin Britten: "War Requiem" Rattle/City of Birmingham/CBSO Chorus/Boys of Christ Church Oxford/Robert Tear/Thomas Allen/Eliz. Soderstrom. EMI/digital

This is a powerful and emotional piece written for the dedication of the newly rebuilt Coventry Cathedralin 1962,after the medieval original was bombed in WWII. It features poems by Wilfred Owen (killed in WWI)juxtaposed with the Requiem Mass. The poems are dialog between the Tenor (English originally Peter Pears) and the Bass (German,originally Dietrich Fisher Dieskau).
Sonically, though a digital master, is amazing. The ppp is very quiet but when the canons of the tympani roar, it is quite a contrast.The choir is first rate. The boys sing their cherub/Latin parts to perfection. The soprano (archangel) is a big dramatic sound. The Bass and Tenor are the perfect pairing for each other. Both are English in this case so the text is articulated well.
This is nothing short of a stunner!
Rushton you got this one????

Gesualdo "Resposories of the Office of Tenebrae or Maundy Thursday" volume 1, Deller Consort/ Harmonia Mundi(France)
This is strange sometimes unapproachable music from the Italian Renaissance.
Gesualdo was a aristocrat who it is said murdered his wife and her lover when they were caught "in flagrante delicto" by Gesualdo. The music's use of "text painting" is extensive. Indeed I find if you do not have the text you are lost. Not for the renaissance choral music neophyte. Once again the Dellers and HM are stellar.

enough for now

e
To tempt the spouse down this evening...

Italian Violin Music 1600-1750, Chiara Banchini -vn, Gerhardt Darmstadt -vc, Alfred Gross, hpd - Klimo Open Window OW 004 (Just scrumptious. Find it!)

The Cozens Lute Book, Anthony Rooley -lute - L'Oiseau-Lyre DSLO 510 (another excellent LP from L'Oiseau-Lyre)

e, I'm very fond of Britten's performance of the War Requiem and have not sought others. Rattle has never been a favorite conductor here. If you like his performance of the WR, I should try to find a copy and give Sir Simon another listen.

You are the only person I've met who also enjoys the Gesualdo's "Lecons de Tenebres." Amazing!
.
Rushton: Here we go again.Folks are going to talk.

The Britten WR with Rattle (also not my usual favorite)is definitely worthwhile. I too have the original London/Britten WR.It is a historic recording.
I have to admit that my favorite Bass/Baritone is Thomas Allen, and Robert Tear is one of my favorite Tenors.The duets are what I find most intriguing about the piece.These two have a chemistry that Peter Pears and Dietrich Fisher Dieskau never had.I know this is sacrilege; don't get me wrong,I love them both. Both were at end of their fantastic careers.
Also there is something about the percussion/artillery that sounds more powerful.This adds tremendously to the terrible impact that is war.It could be just me being sucked in by digital knob turning.
but:
"only the monstrous anger of the guns,only the stuttering rifle's rapid rattle,can patter out,their hasty orisons.
The poetic imagery is fantastically portrayed.

This piece is mandatory to anyone that thinks war is about honor and glory.
truly musical genius.

I love the Anthony Rooney recordings.Especially with Emma Kirkby. Rooney single handedly created the early music phenomenon,and L'Oiseau-Lyre was the venue.

I will look for the Italian Violin Music.If you say it's good then I know it is.

cheers my friend

e