I just got several new records in the mail today.I will be auditioning some of them tonight as follows:
Benjamin Britten: "War Requiem" Rattle/City of Birmingham/CBSO Chorus/Boys of Christ Church Oxford/Robert Tear/Thomas Allen/Eliz. Soderstrom. EMI/digital
This is a powerful and emotional piece written for the dedication of the newly rebuilt Coventry Cathedralin 1962,after the medieval original was bombed in WWII. It features poems by Wilfred Owen (killed in WWI)juxtaposed with the Requiem Mass. The poems are dialog between the Tenor (English originally Peter Pears) and the Bass (German,originally Dietrich Fisher Dieskau).
Sonically, though a digital master, is amazing. The ppp is very quiet but when the canons of the tympani roar, it is quite a contrast.The choir is first rate. The boys sing their cherub/Latin parts to perfection. The soprano (archangel) is a big dramatic sound. The Bass and Tenor are the perfect pairing for each other. Both are English in this case so the text is articulated well.
This is nothing short of a stunner!
Rushton you got this one????
Gesualdo "Resposories of the Office of Tenebrae or Maundy Thursday" volume 1, Deller Consort/ Harmonia Mundi(France)
This is strange sometimes unapproachable music from the Italian Renaissance.
Gesualdo was a aristocrat who it is said murdered his wife and her lover when they were caught "in flagrante delicto" by Gesualdo. The music's use of "text painting" is extensive. Indeed I find if you do not have the text you are lost. Not for the renaissance choral music neophyte. Once again the Dellers and HM are stellar.
enough for now
e
Benjamin Britten: "War Requiem" Rattle/City of Birmingham/CBSO Chorus/Boys of Christ Church Oxford/Robert Tear/Thomas Allen/Eliz. Soderstrom. EMI/digital
This is a powerful and emotional piece written for the dedication of the newly rebuilt Coventry Cathedralin 1962,after the medieval original was bombed in WWII. It features poems by Wilfred Owen (killed in WWI)juxtaposed with the Requiem Mass. The poems are dialog between the Tenor (English originally Peter Pears) and the Bass (German,originally Dietrich Fisher Dieskau).
Sonically, though a digital master, is amazing. The ppp is very quiet but when the canons of the tympani roar, it is quite a contrast.The choir is first rate. The boys sing their cherub/Latin parts to perfection. The soprano (archangel) is a big dramatic sound. The Bass and Tenor are the perfect pairing for each other. Both are English in this case so the text is articulated well.
This is nothing short of a stunner!
Rushton you got this one????
Gesualdo "Resposories of the Office of Tenebrae or Maundy Thursday" volume 1, Deller Consort/ Harmonia Mundi(France)
This is strange sometimes unapproachable music from the Italian Renaissance.
Gesualdo was a aristocrat who it is said murdered his wife and her lover when they were caught "in flagrante delicto" by Gesualdo. The music's use of "text painting" is extensive. Indeed I find if you do not have the text you are lost. Not for the renaissance choral music neophyte. Once again the Dellers and HM are stellar.
enough for now
e