Listen to Atmasphere's advice.
I owned a pair of his MA-1 monos for about a year (100 wpc). They were probably the most magical/musical amps I listened to with my speakers at that time - but only with selected music. Those speakers were 90 dB and their impedance curve dropped to about 3 ohms at two frequency points. So I was limited to smaller group or vocal recordings to hear them at their best. When I wanted to play rock, large group jazz, or symphonic music, they fell short.
I believe the two most important considerations in audio are the room/speaker set up and the speaker/amp interface.
I owned a pair of his MA-1 monos for about a year (100 wpc). They were probably the most magical/musical amps I listened to with my speakers at that time - but only with selected music. Those speakers were 90 dB and their impedance curve dropped to about 3 ohms at two frequency points. So I was limited to smaller group or vocal recordings to hear them at their best. When I wanted to play rock, large group jazz, or symphonic music, they fell short.
I believe the two most important considerations in audio are the room/speaker set up and the speaker/amp interface.