Class D amp wyred4sound and B&W 803D

I'd like to know how could a speaker be very forgiving, but also revealing?

"I'd like to know how could a speaker be very forgiving, but also revealing? "

me too

"...and don't benefit from tubes "

May be it is because B&W family of speakers have terrible phase behaivor and thus very difficult to control bass...

I am happy for Chazz customers that he stopped selling audio equipment in 2001.

The Wyred Reference amps will be out soon. Tube and solid state input.

Dob, the Spectron is my friend's amp which he bought here on Audiogon updated by the manufacturer within the last 4 or 5 months. He said it is the "Spectron Musician II MKII (updated with Mk3 boards)." I'm assuming those are the standard Mk3 boards, but I don't know for sure. So you are correct that it's not the latest Musician model, but neither is it a 10 year old model.

Magnumpi205... Yikes, just when I thought I was set for a while. Then again, I suppose I'll have to wait and see how they turn out. I'll have to send Wyred an e-mail and see if I can get some further info.

Face,

Here's an example of forgiving & reavealing, in a speaker.
I had a Sony Transport, Theta DAC, Adcom GFP565, and Parasond HCA1000A amps or Adcom 555s biamping Magnepan MG3.3Rs.
The ribbon on the Maggies was the most revealing & deatailed tweeter I had ever owned, but was forgiving enough to be used with either the Parasound or Adcom amps.
I also owned a pair of Counterpoint Clearfield two way monitors. These used the same Aluminum Vifa tweeter, with the three pole guard, that Thiel used on their (3.5?) speaker, before they started using their concentric tweeter/midrange.
I tried the clearfields in the system, with the Adcom amps.
They were unlistenable. Just way too bright/forward.
That Maggie ribbon had more detail, but was still easily listenable with the Adcoms.
Hope this helps.