What is wrong with negative feedback?


I am not talking about the kind you get as a flaky seller, but as used in amplifier design. It just seems to me that a lot of amp designs advertise "zero negative feedback" as a selling point.

As I understand, NFB is a loop taken from the amplifier output and fed back into the input to keep the amp stable. This sounds like it should be a good thing. So what are the negative trade-offs involved, if any?
solman989
The model you are proposing relies on propagation time being mutable, which it certainly is not.
Atmasphere, forgive me if I'm being a snot . . . but I think you need to brush up on some basic electrical theory. Pole/zero networks do indeed have different delays based on frequency. If you don't believe me, try constructing a simple R-C lowpass network with, say, a .47uF capacitor and a 750 ohm resistor. Compare the "Propegation Delay" between input to output, using SINEWAVES, at 10KHz and 20KHz. For the former, you will find it to be about 24uS, for the latter about 12uS. For both, the phase shift is about 90 degrees. Or you can do it in SPICE in just a few minutes.

Again, some basics here. A real-world amplifier circuit contains mechanisms that produce both frequency-dependent and frequency-independent delays. In a typical well-designed Miller-compensated amplifier, the goal is to choose the compensation capacitor so that the frequency-independent delay is completely swamped by the frequency-dependent delay of a first-order slope, yielding a phase margin of 90 degrees at all frequencies above unity gain.

Here's the conceptual error with your square-wave timing test. If we assume that it's indeed a perfect square-wave on input, and the circuit in question doesn't have infinate bandwidth . . . then the output square-wave will have a longer rise time and more rounded leading edge than the input. So we set up our scope, and use the markers to decide where to measure on the x-axis. For the input side, it's easy to locate the marker because the rise-time is infinately short. But on the output, it's comparatively slopey and rounded . . . so when you look at the output and place the marker, the exact placement across the slope determines for which frequency you're measuring the delay. If you just place the marker where it "looks about right", then you're simply meauring the delay of "kinda one of those frequencies" . . . one of an infinate number contained in the perfect squarewave on the input.

But really the time-honored method is to use X/Y mode on your scope to compare the phase as you vary the frequency of a sinewave. You can then CALCULATE the precise delay for any frequency, based on phase. And no, there won't be just one number.
If a person cares to look in any book covering filter theory, they'll find gain/phase graphs that illustrate propagation or group delay. For lowpass filters, which is what most amplifers are classified as, low frequencies have little or even no delay while higher frequencies have more, such as the nominal 45 degree phase lag at the -3db point. A phase lag corresponds to a delay.
Negative feedback falls into the same category as damping factor both which alot of people dont understand including myself to a point,my counterpoint amp has a damping factor of i think 70 while the great or my bias is NOT GREAT digital amps go on and on about the high amounts of damping factor they trump on their stats.,My Counterpoint has plenty of bass ,it just has to be on the recording in the first place.
Kirkus, I appreciate your input as always, and I am always interested in expanding my knowledge. I don't contest what you are saying, the problem is that it does not address my experience. I went to school too, FWIW.

The issue I see is that if you have a wideband amplifier, and I do, the problem is that the squarewave response looks nothing like you described: it has a lot more in common with the input. It might be kind of strange to think about a tube amp that can do justice to a 10KHz squarewave but that is what I am talking about.

So my test for delay time holds together with very little error from the means that you suggest. If we were dealing with an amplifier with the limited bandwidth product you describe I would be more inclined to agree, except that there is still one problem.

It has been known since the mid-1950s that loop feedback enhances odd ordered harmonics and there were cautions expressed that long ago about excess use of Global negative feedback due to this problem. In the last 55 years that has not really changed- you can add feedback to an otherwise functional amplifier and experience and measure this phenomena. It is as I laid out earlier in this thread.

How do you square that reality against what you have stated?