Audio Research Preamp Experts?

I really enjoyed the LS2B MKII, mine had remote control and was one of the few preamps I wish I had held onto. Although the LS2B has one tube (6DJ8), Martin Colloms stated that Audio Research somehow has found the perfect marriage between tubes and solid state. However from earlier discussions in the forums I was advised that the LS5 was by far the best preamp in the LS series. Ironically I have an SP11 MK II that I purchased on Audiogon three years ago and worked well for the first two months and then quit, It now resides in my attic till I can figure out if I want to spend the cash to get it fixed since a local tech said there was a problem with the power supply. This no doubt will cost several hundred dollars or I can put the money into a newer AR preamp like the SP16.

Any thoughts as to the LS15 and where it ranks in the ARC lineage? Expecially compared to the LS2s.

I was the fortunate recipient of Minorl's SP-11 and would concur with his assessment that the SP-11 was very close to the Ref 3. Over the past year, I've been A/B-ing the SP-11 with an SP-10 (with ARC stock EH tubes), and SP-9 mki (with the stock Chinese ARC tubes changed out to a pair of Siemens Cca with great results) and an SP-8 mkii (with various NOS 5751, 12AX7 and 6DJ8/6922 tubes rolled in/out). As you wrote, if the phono stage isn't that critical to you, then I would rank them as follows:

SP-11
SP-9 (with the caveat that the stock 6922 tubes be replaced)
SP-10
SP-8 mkii

I've also read great things about the LS-5 mkii/mkiii but have yet to hear it first hand.

hey Closdesducs; Wonderful that you are enjoying the SP-11. Some new music for you if you haven't already obtained it. Eva Cassidy, at the blues alley (wonderful), songbird also. enjoy the SP-11. Keep in touch.

enjoy

Mapman; In my opinion based on my direct comparisons, some equipment is much more forgiving than others. However, remember, that there really are some terrible recordings out there. A lot of recording engineers really don't care about sound stage, etc. They use compression, multiple tracks, terrible mikes, bad mike placement, bad cables, etc. Its funny. my friend brought some of her favorite music over and we played it through the SP-11 and it sounded good. We later played it through the REF 3 (that was the only change), and it was really bad. But the well recorded music that we owned sounded great on both. I have changed equipment and have heard other equipment being revealed as not so good also. A well designed and constructed piece of equipment will not color or distort. It is only if one already knows what the music sounds like or does an A/B comparison with a particular piece of equipment, that you can really tell.

I have to admit, that many of my older cd's really suck as far as recording quality goes. Same for some of my albums.

enjoy