conrad-johnson system questions


Hello,

I'm relatively new to the whole audio game, but I'm a quick learner. Let me tell you what my goal is: to require a good audio system, doesn't have to be the best, doesn't have to cost as much as a brand new BMW, but should do a decent enough job to listen to CD's and LP's. I'm guessing almost all separate system will do a better job than my current integrated Akai AM-U33, which makes a horrible buzzing sound by the way (too close to my computer probably, which makes another horrible buzzing sound).

So, recently I've become aware of conrad-johnson, and I immediately fell in love. I like their no-nonsense no-compromise philosophy, and let's face it: it IS highly important, I like their aesthetic designs. An amp should look good. I like the retro look, I'm not too fond of amp that, while thei might be the best, look like a space shuttle. Shiny aluminium and blue leds everywhere are not for me.

So I've been browsing the conrad-johnson sales on this site (nice list), until I noticed that shipping was in 99% of the cases US only. Too bad. But it probably doesn't matter because in Europe we have 220V/50Hz instead of your 110V/60Hz, so I'm guessing the products would not be compatible anyway. If anyone could recommend me a similar EU based site that would sell loads of used c-j components (220V/50Hz), please let me know.

But, I've found a Dutch hifi store that has two c-j products for sale: the MF2100 and the PV10. The MF2100 has a really good price ($520), so I'm in doubt. My favorite combo would be the Classic preamplifier (also won the award of best preamp of 2009 on an other site) paired with either the MF2250 or the MV-60. I'm not sure if I want to combine tube-solid state or tube-tube, certainly since everyting I've read tells me the c-j solid states sound very much tubelike. Could anyone tell me the advantages and disadvantages of both configurations?
I'm guessing a problem is that the MV-60 is only 60W per channel, and that's not much. I haven't encountered any speakers to fit that.

Another problem is the availability of the MV-2250. I haven't seen it in Europe (then again, I haven't found many EU based sites that sell used c-j equipment).

So I guess the MF2100 is the next best thing, a little less power, but I can live with that. Although some reviews are raving, other review tell me to watch out, since the amp can sound pretty bad if paired with the wrong preamp. But I'm guessing all c-j products are compatible, no?

So, there's the question of which power amp to take: MV-60, MF-2250 or MF-2100, knowing that the MF-2100 is cheaply and readily available. Or maybe I could go another way and pair a c-j preamp (like the classic) with thow outlaw monoblocks (since they come cheap and highly rated).

But, there's also the question of which preamp to take. I like the classic. Everything I've seen about it is highly positive. But the store also has a used PV-10 (ex-demo model). Since I haven't found a lot of info about the PV-10 (except one negative review and one positive), what do you people think of it?

So to summarize my questions:

1. EU based webshop for c-j (preferably also used products)?
2. Pairing: tube-solid state or tube-tube?
3. preamp: classic or pv10?
4. poweramp: MV-60, MF-2250 or MF-2100? Outlaw monoblocks?
5. Is the MF-2100 really that bad?

Oh, and any speaker recommendations?

Thanks a lot,

Robbe
swaf
Thanks everyone for your input.

The last couple of days I've been researching speaker brands. I've been looking up specs and models of these brands: Thiels, NHT, PSB, Snell, Spendor, Axiom, Paradigm, SVS, Monitor Audio, Dynaudio, Sonus Faber, Meadowlark, Proac, Usher, Salk, Totem, Green Mountain Audio, Ascend Acoustics, Dali, Swan, Revel, Tannoy, Focal, Arx

I've weeded out those that I think are ugly, or otherwise don't meat my specifications (budget floor standing speakers, $1000-2000).

Those that I kept are:

NHT - 3.3 and also the new 4 seems good, but you need a poweramp of at least 200W to make them sound good.

Spendor - The A5 seems nice, can't afford the better A9 model

Axiom - you get a lot of drivers for your money (6 drivers, $1300) but I hear a lot of comment on how they sound overly bright and even shrill. Too bad. I figured, the more drivers the better.

Paradigm - Monitor 11 gets good reviews and isn't that expensive.

SVS - apparently good quality for your money, the MTS-01 uses high quality qpeakers, I'm only worried about the bass, as they expect you to get a sub as well. Anyway, I think this is more for home theatre use, not hifi. I'm looking for a combo, that can be used both ways, but will be used primarily for two ch hifi.

Proac - I can buy the studio 140 for half the new price from a hifishop because there's a new model out (studio 140 mk2). It's just that, when I see all those speakers using 5 drivers or more, it's hard to believe this one using only two drivers can be equally good (or even better).

Totem - both the Arro, Hawk and Staff seems within my pricerange, but again, so few drivers. It's hard for me to trust that the sound coming from them can be compared to the Dali for example.

Dali - uses a combo tweeter: dome and ribbon. The Ikon and Ikon mk2 series seems very nice.

Swan - Diva 6.1 and 6.2 use 4 drivers, seems like a respectable company and the specs are alright, but I need to go out and find some more user reviews.

Revel - The F12 falls within my price range, 5 dreivers as well, but the bass goes only till 52Hz.

Tannoy - what I like about them is that they're using dual concentric domes (mid + treble) for time phase accuracy like Thiel), and that some of their models are affordable (unlike Thiel). I was looking at their Signature series (£1000 - don't know the exchange rate but it's within budget I think).
Arx - I'm intrigued by their A3 design which only uses a ribbon tweeter, but it's a cheap bookshelf speaker, so I have no expectations.

The only time-phase aligned models are Thiel, Meadowlark, Totem, Green Mountain Audio and Tannoy.

I can affor the Meadowlark Kestrel, but since it has only got two drivers I suspect it might be lacking in bass.

The Salk Songtowers also seem desirable, but again - 2 drivers. It looks more like a bookshelf speaker on a stand, and I'm looking for a floor model that actually uses that extra space it has. Otherwise I might as well buy cheaper shelf speakers.

Over the next couple of days I'll be narrowing that list down.
Are you sure that the Tannoy and Totem speakers are "time-phase aligned"? Some Meadowlarks have more than two drivers.
Swaf, before you rule out speakers with only two drivers you should consider a couple of things.

For the same amount of money you were forced to build two rooms with the best windows you could (because the windows allow you to see what is important to you). You built one really big 24 X 24 X 10 foot room and put 5 windows in it. You built another room, much smaller 12 X 18 X 9 foot room, built very sturdy and put two windows in it. Both rooms cost the same amount - which room do you think has better quality windows and is structurally more solid?

Now in the center of each of those rooms, you need to hang some pictures in perfect alignment. In the big room, you have to hang 5 different pictures and they altogether need to be perfectly aligned. In the smaller room, you just need to hang two of the pictures in perfect alignment.

Which is the more complex task to complete? Do you agree that complexity adds to time? Do you agree that time is money? Do you agree that excess complexity leads to a greater propensity for error if time and money are not adjusted to reflect the addition complexity?

The same can be said of speakers. Typically, you can produce a better enclosure and use higher quality components with a two driver speaker than you can a 5 driver speaker - both selling at the same price.

I, and many others learned a long time ago that one cannot judge the merit of speakers on the number of drivers with any degree of reliability.

You should spend some time at a couple of audio shops, tell them you are interested in getting into the hobby - after you do a couple of months of research. Go in at a slow time and you may be amazed how helpful they can be. Don't get too much into brand specifics, stick with general education and they will be most open.
The PV-10 can be taken to a much higher level with NOS tubes. I bought RCA 12au7 from Brent Jesse. For NOS tubes, you can't buy them anywhere; but only from someone who comes highly recommended. The phono uses 12ax7, and I don't use that.