Slaw, at the risk of stirring the pot, I just did an extensive shoot-out of Tull's Aqualung, and included first pressings, U.S. and UK, some early U.S. Reprise pressings (the sort of stuff you can find in a bin on the cheap), and most of the "audiophile" reissues, including the Mo-Fi, the DCC, the Classic Records (33, 45 Quiex and 45 Clarity). I also included the Steve Wilson remix, which was taken from the multitrack tapes, dumped to digital and remixed. It is a considerable improvement of a murky, and sonically 'uneven' album. The digital did not get in the way. I'm a dyed in the wool analog guy, I don't use any source but vinyl in my main system and I'm generally inclined--not always- to early pressings rather than remasters. But, the Wilson re-do works. And it does come from a digital master. So, I would not condemn digital as an effective tool. And in the right hands, doesn't necessarily suffer from digititis. I do think that all of this is more art than science and you really have to take it on a case by case basis.
Extraordinary recordings on vinyl
You've most likely heard or read of MF's +10 (on his 1-10) scale of rating music, both sonically and for content...
What are your favorite recordings (on vinyl) that tip the scale over 10?
Here's my first one... Steve Phillips "Steel-Rail Blues"
This lp is pure as the driven snow, not an unpure note to be found.
What are your favorite recordings (on vinyl) that tip the scale over 10?
Here's my first one... Steve Phillips "Steel-Rail Blues"
This lp is pure as the driven snow, not an unpure note to be found.
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- 103 posts total
- 103 posts total