Stevem1960 - You touch on a very important point that the "no" preamp crowd would do well to consider. The "no" preamp scenario presupposes several things. That the audiophile has a very good poweramp that he likes, that the source has enough voltage to drive the poweramp, that the source output impedence and poweramp input impedence match well, the poweramp has enough gain, and that the output stage of the source is up to the job. I truly believe that with the right preamp, the interaction between source and preamp and between preamp and poweramp can create a system whose sum is greater than the parts. For me the cortese is that preamp.
Another of the great things about the cortese is that the subtle variations of tone from the instruments really comes out. I am digging my jazz recordings all over again. Sax's don't just breathe more but you get some of the harmonic decay just like in a live performance. And guitar, wow! Buddy Guy, Lee Ritenour, Wes Montgomery, Jeff Golub, all sound kickin. I find myself sometimes playing just favorite parts of recordings so I can soak up the tone.
Another of the great things about the cortese is that the subtle variations of tone from the instruments really comes out. I am digging my jazz recordings all over again. Sax's don't just breathe more but you get some of the harmonic decay just like in a live performance. And guitar, wow! Buddy Guy, Lee Ritenour, Wes Montgomery, Jeff Golub, all sound kickin. I find myself sometimes playing just favorite parts of recordings so I can soak up the tone.