I do not disagree with Trelja who has probably forgot more about tube amplification than I know. I think he is very much on point when he says the ST70 restored and upgraded is a very under appreciated piece of gear. However, I can tell you the sound through the Grant made me sell my CJ PV10 (which I have loved for many years) because I felt I did not nead it any longer. I bought the Grant as one of those I am going to try this thing moments and after living with it decided it was the way to go for me. Got a decent sounding DAC in the deal also, not state of the art but very pleasing. In the immortal words of Newbee, YMMV.
The Grant does not give you that classic tube look though. Another consideration might be a Mapletree pre which I have never read but only good things and want to try at some point in my main rig. I have a TAD 150 Signature there matched with a TAD 60 amp there which are very synergistic IMHO. (I tried a PV14 there but ultimately liked the TAD pre better.) Also the George Wright pres show up here from time to time. These may be a consideration. Again, I give these considerations with the disclaimer that I have not heard them either. Only putting forth these because they seem to be well thought of. I have not heard the Cary/AES Trelja mentions or the other one but I am sure they are solid choices.
The Grant does not give you that classic tube look though. Another consideration might be a Mapletree pre which I have never read but only good things and want to try at some point in my main rig. I have a TAD 150 Signature there matched with a TAD 60 amp there which are very synergistic IMHO. (I tried a PV14 there but ultimately liked the TAD pre better.) Also the George Wright pres show up here from time to time. These may be a consideration. Again, I give these considerations with the disclaimer that I have not heard them either. Only putting forth these because they seem to be well thought of. I have not heard the Cary/AES Trelja mentions or the other one but I am sure they are solid choices.