The QOL is no different than any other device which is non-necessary in the signal path (i.e. passive networks on cables, power conditioning/filtering, etc). It offers potentially increased sense of separation between instruments and a more 3-D sounstage, but at the cost of an absolute reduction of clarity/definition due to the component and extra set of cables being added to the rig.
It is not a 100% additive device, but is also subtractive in nature (as are these others referenced above). Every potential owner/user must determine if the effect it offers is worth more than the electronic overburden it imposes upon the rig. Just as responses will vary in terms of whether a DAC with level control should be used with an outboard preamp, so also reactions/conclusions will vary in terms of the efficacy of the QOL.
To date the only devices I can recall which have been virtually 100% additive without a noticeable subtractive effect has been Opamp upgrades and certain brands of cables.
The QOL imo does have efficacy in terms of manipulating the soundstage and perception of spatial relation and level of instruments/voices as they are heard in a recording. Some will conlcude it is an absolute necessity to achieve SOTA sound, while others may disagree. I believe the dividing line in regards to personal acceptance of it will be determined by whether one accepts the additional (i.e. additional, though non-necessary) signal processing or less.
I am not interested in arguing my observations, and YMMV.
It is not a 100% additive device, but is also subtractive in nature (as are these others referenced above). Every potential owner/user must determine if the effect it offers is worth more than the electronic overburden it imposes upon the rig. Just as responses will vary in terms of whether a DAC with level control should be used with an outboard preamp, so also reactions/conclusions will vary in terms of the efficacy of the QOL.
To date the only devices I can recall which have been virtually 100% additive without a noticeable subtractive effect has been Opamp upgrades and certain brands of cables.
The QOL imo does have efficacy in terms of manipulating the soundstage and perception of spatial relation and level of instruments/voices as they are heard in a recording. Some will conlcude it is an absolute necessity to achieve SOTA sound, while others may disagree. I believe the dividing line in regards to personal acceptance of it will be determined by whether one accepts the additional (i.e. additional, though non-necessary) signal processing or less.
I am not interested in arguing my observations, and YMMV.