Assistance with Coincident set-up


I have Coincident Total Victory IV speakers with Frankenstein II 300b amps and a Supratek Cortese Preamp. The components sound very good but when I listen to classical music I would like to have a little more push when the music goes from a soft passage to something loud.
I don’t want to lose any low level detail , that the Frankenstein amp is known for, or as little as possible.
I have $4000-$5000 to spend on new or used.I can’t afford the Dragon II amps they are 10K, and that is out of the question but if I had the money that is what I would get.
My question is will a more powerful amp help or if I changed the preamp would that give the classical music a little more up front push? I want a remote control and phono with the preamp.The Coincident speakers and amps sound very good, My system never sounded so good , I hate to mess with it but if I can make the classical music a little more dynamic I’ll be all set .
I’ve only had two tube amps in the past one a 300b and the other a 45. Is there another tube other than the 300b someone can recommend ?
I’ll keep the Frankenstein until I can find and amp that has the low level detail of the Frank with more power.I may keep the Frankenstein forever it is that good !

Any suggestions are greatly appreciated, my listening room is 12 feet wide and 17 feet long with 7.5 feet ceilings.

Abill
abill
Maril555,
I notice you have a Supratek Preamp,I assume the preamp is not a problem for your dynamics ?
What would you recommend for an amp with more power ?
Do you like the Linear A ?
I always wondered how that amp would sound with my system.

Thanks,
Maril555 makes some good points, and once again proves nothing will satisfy everyone all the time. That Frankenstein-Pure Reference combo did`nt suit him( HEY IT HAPPENS) yet gon member montrjay has had that same pairing for several years and is ecstatic with all music genres to my understanding, yep,just the way it goes.

Maril555 is right, there`s a difference between playing loud and having dynamic contrasts, I get both with my system.

Abill if you live near Michigan I`d bring my CSL to you to audition. It that solves your problem, great. If that does`nt improve the matter, well you may just need a larger amp.
Best Regards,
Abill,
I do have Supratek Chenin, and it's MKII, I used to have Chenin and Cortese, as well, and I don't think it's your limiting factor, if anything, Suprateks are pretty dynamic.
Linear A is absolutely special amp., if 25 Wt is enough power for you, they are unlike anything else, I've had in my system. Very dynamic, beautiful tone and texture, very emotionally involving.
The amp, I'm sure will sound beautiful, is BAT VK-75SE, I used to have that, as well, albeit with a different speakers. They can be had used on A-gon for under $4K used.
It's replacement BAT Rex power amp is $15 K retail.
I'm thinking of trying one in my system.
Charles1dad,
It is true, we all have different tastes, but still, some aspects of music reproduction are not a subject of such, dynamic ability is one of them.It's simply either system does, or doesn't have it.
I listened to Franks and Pure Reference in comparison with 50 Wt/ch PP tube amp by another company in the same session, and there was no contest, Franks sounded dynamically restricted and bland. Actually a dealer, whom that system belonged to, didn't even want me to listen to Pure Reference with Franks, I insisted, but then asked him to switch back after 10 min., it was that obvious. And he is a dealer for both companies.
I don't doubt for a minute, there are people, who love the combo, and I read Tejay's posts. But hey, there are people, who claim listening to music at 65dB. and liking it.
I was at symphonic concert a couple of weeks ago, sitting mid-hall and took measurements with Analog Tools SPL meter- guess what- average level is about 85dB, and peaks are about 100 Db. Go tell.
In my personal opinion, if the system cannot reproduce this kind of dynamic contrasts faithfully, something is fundamentally wrong with it, timbre, tone,etc, notwhithstanding.
Charles1dad,
Your offer is too kind, I live in New England, 60 miles north of Boston Ma., but thank you.
Did you use any other premaps with your Coincident speakers before getting your CSL ?
Is it a hassle having a manual dual volume control ?
I'm not an impulse buyer and I'll do a lot of research before changing anything in my system.
I have a feeling changing my preamp would improve things.
My Frank's aren't going anywheres,90% of the time I am very content with my system but when I listen to classical it seems a little too polite.

Well back to saving more money and enjoy my music !!

Thank You for the comments.
Abill
Maril555,
We really don`t disagree, my bottom line is how does it sound to you in your system. The only point I`m making is other have found that combination ideal,in your case it certainly wasn`t,understandable. I use the Coincident TE speakers and don`t have the short comings you`ve expressed. Like you I attend live performances and can appreciate real dynamic weight and contrast. For what ever reason I`m able to reproduce this characteristic at home to my satisfaction .Obviously YMMV applies. Fortunately I`m not limited to 65db levels.

I do acknowledge the laws of physic and a good quality higher power amp might be the answer for Abill. I will say again I`d like him to at lease hear the CSL with his amplifier before he searches for another amp.

Abill the only other preamps I`ve heard with my system was a Quicksilver modified with Vcap and Sonicap-platinum capacitors, and a Audio Research REF 2.The improvement in weight,impact,dynamics and sheer presence was profound.

Regarding dual volume controls they`re fine and precise, no hassles. The CSL does lack a remote and it`s quite heavy and 2 chassis. The power supply is massive and the weight is due to big transformers and chokes, also big power supply capacitors.
Again Best of Luck.