Advice on speakers for Rowland Corus/625

Hi Hamburger, at this moment I am using a suite of wires from Aural Symphonics. Guido

At the bottom, Revel?

["07-12-12: 4425
In fact Mr. Rowland personally is involved with the assembly of each unit sold. How is this possible? I asked him about his personal involvement etc and time involved and his only regret was that he couldn't get his workload under ten hours a day. I was shocked assuming a declining two channel mkt but the high end Asian mkt keeps him cranking day and night. I have to say that calling cold and meeting Jeff makes me feel very good about his gear and that I own something special and enduring. Funny thing about audio companies if you've been around long enough as I have. A few want to mesh aesthetics and sound as exemplified by JRDG which entails lower margins and higher production costs while others present clearly more austere gear that purportedly "serves the music first" while providing more profit to themselves at the expense of the consumer. It's not hard to know who these companies are. Anyway not to be a cheerleader which is not my intention I got a glimpse of the best of American high end audio that was compelling. As a note to an inquiry Mr Rowland was using Revel Salon 2's in his demo room. The sound was breathtaking."]

VicDamone, I believe that the JRDG demo room features an Aeris DAC powered by the new supercapacitor-based DC external power supply; Aeris feeds a pair of M725 monoblocks; and these feed the aforementioned Revel Salon 2s. Conversely, I utilize a JRDG Criterion pre into the M725 monoblocks and these into Vienna Die Muzik. Guido

Guido, this is a quote from another thread.

http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1342041838&&&/Jeff-Rowland-tour-fascinates-

Yes, I had read that original thread as well. I suspect that for M625, a Revel speaker a little smaller than Salon 2 might be better, just as the Vienna Kiss may be ideal, while in my experience, Vienna Die Music causes the M625 to "work for living".