ANY EXPERIANCE WITH PASS LABS AND MONTANA EPS2?

I don't think our experiences are completely different, Wrm. My sense is also that the Montana's like some power down low; if the OP already owns the 350.5s, he should be well fixed. OTOH, ember Robsker runs his with medium powered tube amplification, and likes the effect.

I am surprised about the hot highs; I'm extremely sensitive to this, and I find the Montana's very relaxed and non-fatiguing. I think I have a fairly "soft" room, which might make the difference; I've not heard them in another room. From what I've read, though, my experience may be more typical. As you say, YMMV!

John

Hi John,

Are you using them with the spikes? I found them to warm up considerably when placed flat on the floor (concrete slab, in my case, covered with linoleum) but the imaging suffered and the bass bloated a bit. I do like the big, screw-in spike system Peter uses, FWIW, but I thought it shifted the tonal balance upward in my system. I kept vacillating between with and without spikes and just could not get it right. To be more precise, my problems were with overall leanness and hardness in the high midrange frequencies, and lack of sufficient bass energy in my room (which admittedly eats bass waves). I found the tweeters to be excellent in the EPS2. Ultimately, it's all about synergy. In another room with another amp, they could be outstanding. With the Mac amps I found a pretty good synergy but they ended up being too compromised in low-level resolution for my taste. That smoothness comes with a price.

Bill

Hi Bill. I've got an old house with crazy warped floors, so the EPS2's spiking system is a must, or they'd be the leaning towers of speaker. I have Herbie's sliders under them, so tweaking placement is easy. That's all the tweaking I've tried. Bass fuller closer to boundaries, but I agree that the deeps are not their special strength.(Suspended floor may be costing me some lows?) I also agree that the smoothness makes a tradeoff; as I say, I don't find them to be detail monsters, though I hear a lot of detail. But I do find them incredibly listenable. Matters of taste here of course: I carefully auditioned the GMA Eos, relative to the speakers Shakey traded his EPS2s for, and found the highs fatiguing (dealer set up may have been an issue). In short I find the EPS2s design compromises tilted more to "Mmmmmm" than "wow," but if your ears run that way, they could really be the speaker for you.

John

I had the following system for a few years:

-Hovland HP-100
-Pass X350.5
-EPS2

It was a great system with the Pass delivering enough current for extended, tight bass. Dont miss out, killer combo.

I have listened to JDoris's system several times and the Pass and the EPS2s are a great combo. Very smooth with female vocals and the speakers don't have to be pushed with a large amp to sound great.