Bass tones and low cost tubes for a Jolida 502B


Hi everybody.

I asked in another thread looking for advice with the Jolida tubes but I decided open a new topic focus on it.

I have the Jolida 502B with Paradigm Monitor 11 speakers, with Xindaq DAC and reader, waiting to upgrade this periferials.

I really like to hear jazz as Joshua Reed, Herbie Hancock, Spyro Gyra, Chick Corea, Yellow Jackets... rock as Everything But The Girl, Depeche Mode, even Metalica or Rammstein... and electronic DJ"S as Armin Van Buuren, Oakenfold, Chicane, Enigma...

At this moment I have a Electro Harmonix salad in the Jolida, last owner legacy.

The sound that I have is very "shinny" or in excess sharp...with a feel of "we need a subwoffer", despite the Paradigme Monitor 11 and the 502B punch. I'm conscious about some room reflection yet but I can't improve it more...family matters :)

In my country Costa Rica, a $45 individual tube will cost around $110 with the custom taxes and shipping costs. So I have to be low profile about it.

I REALLY APPRECCIATE YOUR ADVICE ABOUT IT! I know is difficult but a good tube is a good tube and a poor brand too.

Reading the reviews on tube depot and tubestore on this tubes:

AX7
large plate AX7's ?? I read that this get more medium bass and tight bass presence:

- BLACK SABLE Sovtek 12AX7LPS
- SOVTEK 12AX7LPS Preamp Vacuum Tube
- JJ ECC803s / Hi-Performance 12AX7 / tubedepot.com

- Mullard 12AX7 / ECC83 / thetubestore.com
""Microphonics is not an issue despite the larger that average plate structure. The transconductance on my sample was the same as two NOS samples I measured. Not really high gain at all, but a real good noise floor and a nice smooth tone that doesn’t encourage ear fatigue the way some preamps can be."

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AT7's:

- 12AT7 / ECC81 Mullard / tubedepot.com

or

- Mullard 12AT7WA / CV4024 / thetubestore.com
"The NOS Mullard 12AT7WA / CV4024 tube is low noise and long lasting. This 12AT7 tube is a very good choice for hifi preamps, driver stages, and guitar amp reverb circuits. The Mullard 12AT7 is original production from Great Britain."
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For the KT88;s

- Sovtek 6550WE / tubedepot.com
"The Sovtek 6550WE has higher gain / output than most others and really has a ballsy sound. Recommended for any bass application and most Hi-Fi amps. This tube has a slight bump in the midrange making it a great choice for lead guitar."

- Sovtek KT88 / thetubestore.com
""The Sovtek KT88 tube has smooth, warm and clear with excellent imaging. The bass (except for the very bottom end) is tight and the high end is crystal clear. The separation of parts and balance is better than any of the 6550 tube types."

- JJ KT88 / thetubestore.com
"The JJ KT88 tube has the best imaging of all the tubes in this category. The bass is unique in that it compresses the very bottom end. This provides incredible bass response without ever losing control. Overall a great KT88 tube for orchestral, opera, and jazz music."
edoll
Thanks Xti16... that Octave V70SE...OMG! It's a treasure!! Germany power!

@Ghosthouse: I really appreciate your advice, I already read your post "Tube upgrades for Jolida 502B?" Thumbs Up!!!!

I need to tell you that your advice is very important, as a Jolida 502B owner...don't let it many time in the bench!

About the tubes, I was looking at the web info about the Winged SED reviews and each one said the same: very reliable tube with tight bass.

As a retired bass player, I really understand what means bass heft...so that is a very good direction to me.

I think maybe it will be interesting attach the Winged C with the Mullard's AT and Ax's... as this could represent around $350 at USA but certainly $600 after customs here in Costa Rica. Think that Winged C get me that money back for sure...

I'm trying all this days to do my homework, learning about tubes. And the Bias issue it is a big issue to me, I never hear about it until reading the topic at this forum.

So, sorry but I need to bother you Ghosthouse! and any other guy of course if has this knowledge and experience.

FYI... I don't have the manual, just a scan page that I found at polkaudio forum...weird certainly!

As I try to understand, this is the basic procedure to manual Bias a Jolida 502b:

1- Unplug the AC power cord from the Wall and replace the tubes / replace the AC power once got replaced the tubes, with God help and if Danica Patrick keep quiet without crashes...

2- Remove all the audio inputs (??) what for ? not necessary to know ? :)

3- Depress the AC power switch to OFF

4- Adjust the bias levels to the lowest setting = counter clockwise until cannot turn any further (v3, v4, v7, v8)

5- Make certain the left and right speakers cables are attached

6- Volume control at lowest setting

7- Turn On the Amp

8- Let the amp warm around 30 minutes ??

9- Get the multimeter set to D.C.V. / milivolt range setting

10- Get the 5 female jack terminal behind the Power Tubes / Black or Negative probe goes into the center terminal = #0

11- Red or Positive probe goes in the hole numbered according to the tube I want to bias (v3 correspond to hole #3, etc)

12- Starting the bias procedure by turn the relative screw via the small recessed pot closest, clockwise until 45-55 millivolts or .045 to .055 appear at the multimeter -It is true that is better set 45-46 to extend the tubes life ?

13- ?? What else ?

Sorry if my post is too confuse to read fellas...it will be my very first time as electrician and learning this stuff from english language, I'm not very good with both themes!

Thanks again!
Edoll, Re SED tubes, are you talking about the 6550's or the KT88's. FWIW, I find the 6550's linear and fairly uncolored. An excellent tube. The KT88 isn't nearly as linear - I find the mid/upper bass a bit on the full side and the upper mid range on the forward side, but in the right amp they can be really exciting. I'm using them in a Cayin A100T as I type. Both are rugged and reliable.

However, it appears that SED may no longer be shipping (or making?) tubes. The KT88's are very expensive when you find them, but the other SED's are still in the major retailers catalog.

Re question about bias setting. 45ma may extend life substantially but it will probably produce a cooler tone. Increasing setting to 55ma should produce a warmer tone. I've never measured the life expectancy at the two extremes, but years ago a major manufacturer, in their manual, recommended 50ma as optimum and maximum effective bias and said the tube life could be doubled by dropping the bias to 40ma. To get the tone I wanted I ended up at 45ma. I have another set of tube mono's and it was interesting to find that the manufacturer recommended 50ma per tube, but in a blog said he preferred a setting for tone which was about 40ma. It seems that the setting in the manual was more to obtain published results than it was to obtain an enjoyable tone.

Lots to consider..............
I recently found out (from the "horses mouth" as it were) that you can use KT120s in the Jolida 502p...not sure what will happen (haven't tried it yet, as my 502P is new and not past the 12,416 hours and 8 minutes break-in period) but hey...there it is.
Edoll - that procedure looks good to me. The only thing I'd change is to make turning off the amp THE FIRST STEP. Then discconect AC cord, input cables, replace tubes etc. Turn bias pots and volume to lowest setting (full counter clockwise) before turning on amp. I don't know why they recommend disconnecting the input cables but I do it that way anyway. Leave only the speakers connected and allow time for the tubes to warm up. I'm not sure what effect being over or under the 50mV setting has on tube life. I did think being a little low (e.g., 48mV) was better than being above 50mV but I really don't know if that is how it works. Mostly I just try to get as close to 50mV as I can though things will drift a little. Not sure there's a significant effect so long as you are in the +/-5mV range. By the way, usually I'd get in the neighborhood of 50mV when the pots had been rotated to somewhere in the 12-2 o'clock position. Do the adjustment on each gradually. For me oit seems like there is a little lag before the change registers and settles on the mulitmeter. Also, when I got to the 4th pot, I'd go back and check the others again and make any adjustments for what little drift occurred. Even so, don't expect to get an exact, rock steady 50 mV on each tube. It's really not a difficult procedure just keep your multimeter cords and fingers away from the tubes!