Preamps waste of money?


I've been forced to reevaluate the role of preamps. The best sound I have achieved is result of adding a stepped resistor volume control at the input stage inside of my tube amp. All other options I have tried or auditioned including both active and passive volume control(autoformer and LDRs)have "colored" the sound in one way or the other to an unacceptable degree compared the stepped attenuator at the input. Has anyone had similar experience?
dracule1
Dracule1,

Not defensive at all. Just responding to your post. I am just saying for some it is a waste of money and for some not. I acknowledge we all have different wants and needs in the sound and presentation of our music. I am sure some would prefer their systems even without the Dude! No surprise to me and no defense.

Enjoy your newfound synergy!
The residual thinness you think you hear from S.S. preamps is the lack of coloration you get with all tube components. The thinnest, most sterile systems I've heard had no preamp.
The thinness of some SS preamps is what it sounds like,thin.Good tube preamps come much closer to what I consistently hear live without question(there is color ,tone and developed fullness that`s unmistakable). But I certainly accept people will always hear differently and have other opinions,SS pre/amplifier for you,tubes for me.

No live instrument or voice I`ve ever heard sounds thin ,lean,dry and sterile(incomplete signal reproduction? who knows).If the fuller tonality and realistic body is a tube coloration I `ll take it as it`s more authentic natural and more convincing.Thin and sterile is`nt(sounds hifi and canned to me).That`s why there`re ample choices available to please very different ears.When someone hears a live instrument that sounds "thin" let me know.
Regards,
I have an Autoformer Tap X and an Lightspeed Attenuator. I would consider both the antithesis of "colored".
Tmsorosk, I would gave to disagree. When I installed the goldpoint attenuators, the sound became more full with increased harmonic detail and dynamics. It wasn't warm in the classical tube sense, but there was less tilting of the sound toward brightness. This is antithesis of what I hear with SS. I play classical guitar, and some of my classical guitar recordings tend to bright and hard, closer to steel string guitar rather than the creamy full sound of nylon strings. Most probably wouldn't notice this coloration unless you play acoustic guitar. Now these recordings actually sound like the real thing, the most neutral sound I've gotten from my system.