I had an SP3A-1 back when they were still made, mid 70's and it was better
than just about anything else, save perhaps, for a well-tuned Marantz 7
(tube) preamp. It had a holographic quality, which was rare in preamps of
that era, most of which were solid state. By today's standards, I think it
would sound pretty 'old school' tubey, but I haven't heard one in years. I
never owned any C-J equipment- not that I have any dislike for it- it
seemed then, as now, there were strong adherents to one or the other- just
can't comment on the PV11.
I do agree that any preamp the age of an SP-3 is going to need some
attention. I got rid of mine for an SP-10mkii, which, at the time had a terribly
sweet phono section. Even that preamp, by today's standards, would
probably be euphonic and noisy.
Having something from that period would be cool though. I still have the
amp that matched my SP-3. For some reason, I never got rid of it, even
though I hardly ever turn it on.
than just about anything else, save perhaps, for a well-tuned Marantz 7
(tube) preamp. It had a holographic quality, which was rare in preamps of
that era, most of which were solid state. By today's standards, I think it
would sound pretty 'old school' tubey, but I haven't heard one in years. I
never owned any C-J equipment- not that I have any dislike for it- it
seemed then, as now, there were strong adherents to one or the other- just
can't comment on the PV11.
I do agree that any preamp the age of an SP-3 is going to need some
attention. I got rid of mine for an SP-10mkii, which, at the time had a terribly
sweet phono section. Even that preamp, by today's standards, would
probably be euphonic and noisy.
Having something from that period would be cool though. I still have the
amp that matched my SP-3. For some reason, I never got rid of it, even
though I hardly ever turn it on.